: Re: What are the points to remember when the pet is the narrator and is narrating the story of its owner? I'm working on a novel which is based on a true story. I first thought of writing from

@Speyer920

As usual, I have an example from Worm! In the Interlude for Arc 4 (main chapters are from the heroine's 1st-person POV, interludes each have a different character in tight-third), Rachel's dog Brutus tells the tale: parahumans.wordpress.com/category/stories-arcs-1-10/arc-4-shell/4-x-interlude/ The actual story is that Rachel goes to break up a dog-fighting ring and frees all of the dogs, without telling any of her teammates. This comes into play later, as basically the Gang With Dogfighting then perceives this as an Attack From Rachel's Gang.
But Brutus? He doesn't quite get all of that.

Master and man talk for a while, and Brutus waits because Brutus is good boy. Not paying attention to what they’re saying because of smells. Bad smells. Sounds of dogs yelping and barking from inside the door. Then Master says “Stay” and man starts touching Brutus. Touches like vet touches, not like Master scratching.

Brutus doesn't use our grammar, but his own is consistent. He knows certain things, he tries to guess other things based on the bits he knows (Master/Rachel is angry? He growls to emphasize her anger - hopes it's ok.)

Master is kneeling beside cages and dogs inside smell like blood and poo. But dogs aren’t angry, aren’t moving. Brutus nuzzles master with nose and lies down beside Master and Master wraps her arms around Brutus’ neck. Master hugs Brutus tight for very long time.
Cars that make howling sounds start to come from far away and Brutus makes little barks like Master taught him. Master gets up and takes Brutus into the car and gets in other door and the car starts moving.

There is a focus on specifics - "cars that make howling sounds" not "police sirens." Things are focused on scent first. "Master" always has his attention, no matter what else is going on. (Oh, this chapter makes a little more sense if you realize this is a super-powers universe, and Rachel's power is that she can make dogs grow REALLY big temporarily.)
I had to read it more than once to get that it was more than Brutus Goes Walkies, that there was plot-focused stuff there, but if your entire book is from this POV, or this POV is frequently used, then the reader should fall into it. (Interludes in Worm are always a little challenging, since we don't know the PO usually.)
I definitely recommend reading other pet-narrated works, to note their strategies. Bunnicula comes to mind.

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