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Topic : Re: Plot twist where the antagonist wins I’m putting together this story and its formative stages are almost complete. However, I am genuinely interested as to how the ending would appear to the - selfpublishingguru.com

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You absolutely can do this, but there are two very important points to consider.

What is your purpose in choosing this ending?
In what way will this be a satisfying conclusion, from the reader's perspective?

In your question, you're describing a particular sequence of events as being an unexpected one. That's great, but what makes story isn't just the sequence of events, it's what those events mean.

There are lots of stories that end with the protagonist failed and crushed. Those are Tragedies, from Oedipus Rex to Hamlet to Watchmen. But these works all are tragedies long before their final scene -- the protagonist losing is the culmination of the tragedy; but its seeds have been planted and growing from the very start.

There are also many stories about how the universe is uncaring and capricious; how empires rise and fall based on bad luck and human perversity (Catch 22 comes to mind, as does A Series of Unfortunate Events). But that capriciousness doesn't begin in the last chapter -- it's baked in right from the start.

The reason I'm making these comparisons is because you're mostly describing this conclusion in terms of shock value. In terms of "being surprising."

But: A good story surprise isn't just "The reader wasn't expecting this." The reader doesn't expect the protagonist to suddenly die of a heart attack, or win the lottery, or be elected President by spontaneous write-in votes. It's easy for an author to do something the reader isn't expecting; the question is whether that twist works in service of a coherent story, or not.

That's why the two questions I opened with are so important:

What is your purpose in choosing this ending? The ending shouldn't be shocking just for the sake of being unexpected. (Unless shocking twists are part of what makes your whole story interesting! In which case it's totally on-brand!) There should be some reason you consider this a good and interesting ending, besides that it's not what the reader was expecting.
In what way will this be a satisfying conclusion, from the reader's perspective? The reader needs to feel the conclusion is satisfying. That it answers their questions; closes things off; fits with the rest. That, in some way or another, this is where the story was headed all along; that in retrospect, this is the fitting capstone for the entire story. You need to understand why this is true (or make it true, by making your story build up to it).

Knowing the answers to these questions will keep you focused on building towards your ending; on knowing how it's meant to work and how to accomplish that. That'll help address your questions on foreshadowing and effectiveness as well -- which depend heavily on what, exactly, you're trying to accomplish :)


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