: How to convert dialogue in to paragraph? This is my first time writing a novel. In my novel, there is a part of the married life of my protagonist who is a woman. I don't have any experience

Vote Up Vote Down

I'm going to focus solely on the How to convert dialogue in to paragraph? question.
There isn't one technique but several that should be used together. Here's four that seem to be the most important IMHO.

Mention actions in between dialogues. Maybe Anna flopped down onto the coach, thus showing she was tired. Maybe John dropped his phone with a low curse as he took it out of the jeans pocket. No need to actually report the curse used.

Mention expressions that highlight emotions and feelings. Maybe Anna scratched her nose as she mentioned a friend's opinion she disagrees with. Maybe John frowned at a joke he didn't think funny at all.

Choose one POV (to avoid head hopping) and mention thoughts that are never expressed out lout. Maybe Anne said the dessert was terrible but John thought it wasn't that bad. He really doesn't understand her fixation with very sweet desserts. 'Yeah, it wasn't very sweet, I suppose,' he ended up saying.

If the dialogue is getting long, use indirect speech (mixing it up with free indirect).

"Not very sweet? It was bitter and sour and... God, it wasn't even a dessert at all!"
He once more admitted it could have used some sugar, then ostensibly looked at his phone.
"I hope I didn't crack it when I dropped it."
"Let me see..."
She looked at it from every angle before handing it back with a careless 'it's fine'. But at least she'd forgotten the wretched dessert.

Answer to comments
Writing insn't a mathematical endeavour. While you can analyse a text and come up with statistics, you wouldn't want to do the opposite (start with statistics and then write). What you're after when you write is the right feel. For the techniques above, you want to strike a balance. Play it by ear until it feels like if flows naturally.
Here's another example:

The romantic film Ann had chosen had been one of the most stupid things I had ever seen, but she'd loved it so I'd said it had been nice. As we entered the house, Ann flopped onto the sofa with a deep sigh.
"Are you feeling tired?"
She yawned a yes and I sat next to her. Although I had hated the movie, there was something that had stuck in my mind.
"You really liked that movie, didn't you?" I waited for her to nod and tried to sound casual. "Do you think all guys are as clueless with kids?"
Because the film's supposed comedy had all been about how terrible the husband was taking care of his newborn baby, and he'd heard Ann say 'that's so true' at a few moments.
"Not every guy, but let's face it: it's women who have babies. It just comes natural to us, while men are naturally geared to... I don't know. Bring in the meat, I guess!"
Did she really think that? Did it mean that, when it was time for us to have children, she wouldn't consider the possibility of me staying home with them in the first years?
"I've always been good with kids," I said quietly. "I used to babysit for my neighbours when I was younger, you know?"

In this longer example, the reader is privy to John's thoughts but not Anne's.

(0)

Vote Up Vote Down

First of all, what do you mean by "taking inspiration from a movie"? If you mean copying the dialogue from a movie line for line, you're not allowed to do that. That's plagiarism.

I would also question your statement regarding "having no experience with married life". You might not be married yourself, but what about your parents? Your parents' friends? Your own friends? Acquaintances? Surely you must know somebody who is married? It is also perfectly fine to take inspiration from stories you encounter, whether in literature or film, provided what you take is inspiration, rather than verbatim quotes. Inspiration means asking yourself what would a character who is in some way similar to the one you've seen, do in a situation you've created.

But if your question is "I have written what both people say, but the words aren't really enough for it to work", the answer isn't too complicated. The words aren't the only thing happening in the scene. There's how the words are said - angrily, ironically, lovingly? There's what the characters are doing while they're talking - looking at each other, fidgeting, eating breakfast? What else is going on - chirping birds, something on TV, arguing neighbours? You've also got to give sufficient indication to who says what, since your readers can't "see" the scene.

You add those elements to the extent that they enhance the scene, but do not drown it. (For that, of course, you need to have a very clear understanding of what the scene is supposed to do.) Then you've got yourself a passable dialogue scene.

(0)