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: Re: How can one write good dialogue in a story without sounding wooden? I began an assignment to write a short story for a Creative Writing submission to a publication and although it was accepted,
Dialog in a story serves to advance the story or develop character.
I’ve been taught that dialog isn’t conversation as much as its the ‘best of conversation.’ It condenses while it evoke emotions. It informs while obfuscating falsehoods, making them seem true and vice versa.
If you are unsure about your characters dialog when you work your draft, you can either just go nutz and write it all out without trying to make it really good and pity, or you can just summarize your goal as a writer what you want to happen as a result of this dialog.
Later, you can rework it once you have a better perspective on the characters or events.
I find the more momentum I can maintain writing dialog the easier it is develop.
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: Good recess scene screenplay I'm wondering if anyone could tell me how to write some very short recess scene at a school? I'm out of ideas. P.S. this would be acted.
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: Generally I write female characters as "softer" and male characters as "harder." I have no idea what that means and some how intuitively, when I write, it makes sense. I've never had anyone
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