: Re: Thoroughly conveying my protagonist's thoughts and emotions I'm currently writing a story in which our protagonist is trapped in a labyrinth of sorts. The twist here is that she is the monster

You can play about with consciousness so that she has flashbacks into actions performed in an unconscious state. That would allow her to have a sense of herself that is at variance with what her own mind reveals about her past actions; as if she's seeing them for the first time.

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: How do I stop my characters falling in love? So I'm writing a short story based in a WW2 American military base camp stationed in Germany. It's about A Jewish Soviet soldier that, with the

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: What would be an interesting good deed for a character In my fictional story, I want my MC to discover that her father did something nice in the past, that he took the blame for something

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: What types of resources and primary sources are helpful for getting into historical character? When you are developing characters for fiction, and particularly historical fiction, what kinds of

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: How could the disregard for both plot and dialogue tell the story? I want people to understand what I write, but I do not want to use conventions such as plot or dialogue to tell a story.

: Re: Thoroughly conveying my protagonist's thoughts and emotions I'm currently writing a story in which our protagonist is trapped in a labyrinth of sorts. The twist here is that she is the monster

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: How do I stop my characters falling in love? So I'm writing a short story based in a WW2 American military base camp stationed in Germany. It's about A Jewish Soviet soldier that, with the

: What would be an interesting good deed for a character In my fictional story, I want my MC to discover that her father did something nice in the past, that he took the blame for something

: What types of resources and primary sources are helpful for getting into historical character? When you are developing characters for fiction, and particularly historical fiction, what kinds of

: How could the disregard for both plot and dialogue tell the story? I want people to understand what I write, but I do not want to use conventions such as plot or dialogue to tell a story.

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