: Re: Frailties, mistakes, and imperfections In the past, I've been inclined to believe that god-like characters are fun to write about. They are impossible to kill, cause omnipotent levels of destruction

It is a better mentality for fiction, no matter which genre.

Probably everyone wants to be god-like one way or another (even so I doubt it would be fun if you really think it through). But reading about god-like characters is only one thing: boring!

Even if you describe monumental battles, nothing really happens. The reader knows who will win from the beginning. There is no suspense, tension, anything worth reading on. Just imagine Superman without Kryptonite: boring. (Besides that, Superman is one of the most boring characters anyway.)

If your character is already a god, in which direction should he develop? A good story shows how the protagonist goes from one end of the spectrum to the other. What the "spectrum" is, is defined by you, the author, for every new novel.

Do you want to read about Superman, flying around, watching kidnappers, catching them and throw them into jail, or do you want to read about that drunken bummer watching how this girl was kidnapped and no-one believes him? Who realizes that he is the only hope for that poor kid, which reminds him of his dead daughter (the reason he has started to drink in the first place)?

Just imagine how many obstacles will get into the bummer's way. How he develops, how he has to get rid of the alcohol to have a clear mind. How he can stand against the kidnappers, untrained and without weapons. He has to become more then he ever was, outgrow himself. That's what people want to read.

If you ask me: Superman sucks!

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: I think this is better suited for EL&U, but if you say this is a spin-off (you haven't provided the link), I'm fine with that. As far as I can say, there is nothing wrong with your

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: Why would an author not agree to license his book to a foreign language? Recently one rather famous author wrote a new book in English. Since I'm a fan of his writing and know that he's

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: How many errors per page volume is typically "okay" in a book? Suppose I'm in charge of getting a three hundred page book published. I'll do all reasonable things to get it proofread, but

: Re: Frailties, mistakes, and imperfections In the past, I've been inclined to believe that god-like characters are fun to write about. They are impossible to kill, cause omnipotent levels of destruction

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: Using third person offers the benefit, that the profile can be used by other persons referring to you. E. g. you wrote a book and a newspaper/magazine is writing a review, then they also

: I think this is better suited for EL&U, but if you say this is a spin-off (you haven't provided the link), I'm fine with that. As far as I can say, there is nothing wrong with your

: Why would an author not agree to license his book to a foreign language? Recently one rather famous author wrote a new book in English. Since I'm a fan of his writing and know that he's

: How many errors per page volume is typically "okay" in a book? Suppose I'm in charge of getting a three hundred page book published. I'll do all reasonable things to get it proofread, but

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