: Re: To what extent should we fear giving offense? Recently we have seen multiple questions on various aspects of political correctness. They have sparked some measure of disagreement, which is what
First, I would argue for the right to make mistakes
It's not unheard of, surely, inadvertently saying something wrong? That's what "I'm sorry" is for? Our starting point is "normally people do not seek to offend". Well, why shouldn't it be enough? G.R.R. Martin made a similar comment in an interview: "I'm an old white man, there are things I don't see. If you think something should be written differently, go ahead and write your stories - we should have more voices writing." (Not an exact quote - I can't find that interview now.)
Second, I would argue against self-censure and thought policing
Any time a writer thinks "I want to write this, but maybe I shouldn't", it frightens me. I value very highly the freedom a writer possesses to voice any opinion, to criticise anything - to think and share his thoughts. Censure is bad. Censure reeks of dictatorships, and I don't care if it's the "good guys" who do the censoring. Maybe I'm biased because samizdat was such an important part of my parents' youth, but I value this freedom above offended feelings.
I believe that opinions, ideas, should be expressed. Yes, even the offensive ones. Definitely the ones I disagree with. I believe the way to fight those ideas is to write more, write my ideas, write them well and let them do battle with the other ideas. I do not believe silencing ideas I disagree with is right.
I look at Charlie Hebdo as an example, any issue of that paper really. It's offensive, it's shocking, and I don't think it's very smart, to be honest. But being shocked is part of democratic discourse. Imagine a world where Charlie Hebdo went "this cartoon might offend someone, we shouldn't publish it".
So, to sum up, I do not think a writer should be afraid to give offense inadvertently, and I do not think a writer should change story elements rather than give offense.
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