: Re: Motivation Reaction Units? In tightening up some chapters, I began to question some of the structure of my chapters. Has anyone ever come across the method of writing scenes as breaking them
I find these sorts of formulas, well... formulaic. If I'm going to read about how to write, I want to read someone who HAS successfully written, a lot, and well. Someone like, say, Stephen King. And when I read his On Writing, I really don't see the craft being reduced to a math problem.
I won't say that this sort of thing wouldn't help anybody, but I know that it doesn't help me. I spend too much time trying to twist and contort my writing to fit into the formula, or I discard things that I know work because they don't fit and I can't make them, and the whole thing takes the organic joy out of the process. For me.
To the poster's credit, he does acknowledge that the time to use these tools is AFTER you've already written your first draft. According to him, you write, you analyze according to the formula, and you rewrite as needed to conform. According to me, you write, you analyze according to the sense you've developed after decades of reading and studying well-crafted fiction, and you rewrite as needed to conform to the story you want to tell. Maybe these two paths will take you to the same place... but I like the scenery along my route a lot better!
More posts by @Reiling826
: Single character POV vs. two POVs - how to decide? I'm starting to look at my next novel, and I'm trying to decide whether I should tell it from one POV or two. I've used both techniques
: I think the ellipses are fine, but I agree with the comment from the original site that italics would work as well. But neither one really shows a question, to my reading. If you mean
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