: Frodo had a happy ending. He stopped apocalypse, saved his friends, his people and the world, and then gained admission to the Undying land. Tony Stark in End Game is a happy ending.

Frodo had a happy ending. He stopped apocalypse, saved his friends, his people and the world, and then gained admission to the Undying land.

Tony Stark in End Game is a happy ending. He completed his journey with a heroic sacrifice. Though it was kind of an unnecessary sacrifice, as Magical Marvel should have been able to snap her finger and save the universe herself, without dying.

Cinderella's is not just a happy ending, it is a fairy tale ending (a specific type of happy ending)

I think a happy ending is an ending with where the character grew and the quest fulfilled. Amadeus (in the movie with the same name) had genius. But he didn't grow, and his life was cut short and the world was poorer for it.

Death itself does not an unhappy ending make. Everyone dies in the end, even elves and Cinderella.

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: Frodo had a happy ending. He stopped apocalypse, saved his friends, his people and the world, and then gained admission to the Undying land. Tony Stark in End Game is a happy ending.

More posts by @Megan928

: Should I include an appendix for inessential, yet related worldbuilding to my story? I'm of the opinion that a story should stand on its own; any worldbuilding that is necessary for the plot

: How do I prevent my stories from feeling rushed? Many of the short stories that I write feel too short. Now, I know that there's nothing wrong with a (very) short story, but often I feel

: Is there a writing style I can use to show "the result that appeared is contrary to the expectation"? I'm wondering if there is a English writing technique or style I can use to show that

: Is a new paragraph line needed in dialogue when a character responds with actions? For example: "Move!" I immediately side stepped him. OR "Move!" I immediately side stepped him. I know a

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