: Re: Categorization of this type of Erotica? I have written a novel that has A) a lot of graphic Male/Female sex and B) a plot involving a mystery that takes place, and is solved, in the Czech

@LarsenBagley300

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Actually your set up is not unique and is hella common in written works... it's just that you're not going to find it under erotica. But your character sounds a lot like some very popular characters in fiction and tends to traverse genres, but some are iconic in genres. My first read of this was "Oh, so you want James Bond" (genre: Martini Spy fiction) or Han Solo (Sci-fi), but then I realized there's a guy just like Solo, but more bumbling, and fits the general feel: Indiana Jones (Pulp).

Pulp is generally characterized by a manly man in an exotic local with his pick of attractive women. Most pulp was written in the early half of the 20th Century, so there's a lot of unfortunate implications associated with the genre, especially timely classics. That doesn't mean that the genre should be written off as Tarzan and King Kong both have pulp elements and are still genre staples to this day and Indiana Jones and Tomb Raider both show that the genre can be flourish with a modern audience. The other problem is that Pulp tends to rely on heroes going to exotic locals that the reader might not have ever heard about or have an association with fantastic local customs that are poorly understood at the time, which doesn't work these days, which is why modern pulp is often period piece.

One of the important factor in any romance geared at men is that... well, men aren't reading the story for the romance, but for the plot and men are far less likely to read then women in general (entirely different issue stemming from a different problem). It's been my experience that men tend to like the leads female love interest to be as intellectually interesting as the man, but have her competencies in domains that the male hero is supposed to be dominant in. For example, consider Han Solo and Princess Leia... Leia will never fly a ship like Han and she's not as connected to the criminal underworld... But she's a much more competent rebel leader than Han and is quite capable in infiltration and subtle missions. Consider in "A New Hope" when Luke and Han bumble through the Rescue mission so badly that they barely get her out of the cell... and Leia takes over and starts leading the mission much to Han's chagrin. Or conversely, compare fan critiques of Indiana Jone's squeezes in "Ark of the Covenant" vs. "Temple of Doom". Fans love Marianne and even though she does cause Indy some trouble, she's not some damsel in distress and she isn't throwing herself at Indy's feet. Willie, however, is considered comic relief at best and annoying at worst, and fans rightly point out that she's the cause of many of Indy's problems, but is rarely the solution to them (and the few times she is, it isn't because of skill on her part so much as an accident). And the love interest in Grail is secretly a bad guy so fans were happy to be rid of her. Most male oriented stories usually have a competent female love interest who is an intellectual equal to the guy, if in other areas. Guys also see "getting the girl" as a prize for completing the story, not a story in and of itself. And in cases where the story starts with him "having the girl", the conclusion usually gives an upgrade in their relationship. While it wasn't going to contain a sex scene at all, much of Bernard's arch in "Rescuers Down Under" is about going from Ms. Bianca's boyfriend to "fiance" and he only achieves this in the final scene after almost single-handedly saving the day. Similarly with Aladdin (the only movie in Disney+'s Princess collection with a male protagonist), Jasmine only accepts him (both romantically and legally... the film starts with them unable to be married due to class differences) after he's beaten the odds and proved himself.

If you subscribe to evolutionary reasoning for the difference in mindsets between men and women, men are driven by a need to protect the group, while women are driven by matters related to group cohesion. This is why Leia is able to organize Luke and Han's efforts to save her, as she's concerned about the whole group getting back, while Luke and Han were concerned about getting her out without thought to getting themselves out. Men will identify to the need to prove they are worthy to be with a woman, while women will be interested in stories that focus on forming a reliable group. Romance's ultimate goal is typically forming a family or a couple between the two leads... which is preferable to women but boring to men, who feel escapist fiction when the character they identify with proves himself capable of being a protector of others.

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