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Prior to asking this question, I have found and read similar questions posted by other people and I have come away each time deeply dissatisfied and frustrated by the responses given. Here’s an example.
The reason is because I have noticed that every time such a question is asked, respondents have a tendency to reply by bringing up the Amanda Hocking-type clichés, thus answering in the following manner:
“Sure you can! Look at these self-publishers who were hugely successful and later got contracts!!â€
As a result, respondents end up not actually answering the question. What tends to be overlooked is that the question is really about the very act of pressing the ‘publish’ button, and whether or not, by committing such an act, you have ruled out any possibility of signing a contract with a traditional publisher even if they like the book. That is the question. Bringing up unusual cases like Hocking or Hewitt is a red herring.
In other words, it has nothing to do with how many copies the book has sold via self-publishing. We just want to know if publishers, as a rule, do not want the book to have been previously self-published at all.
As an example, let’s say the agent and the publisher both love the book after reading it and would like to sign a deal. Then you say to them:
“Oh, by the way…uhmm….I think you might want to know that I actually put it up on Amazon for a little while. However, I have removed it.â€
What would be their response? Will they go, “Oh well, in that case, deal’s off!â€
Furthermore, that brings up another frustrating thing I’ve noticed: In the question that I linked to, you will notice that not a single one of the respondents bothered to distinguish between print and digital publishing. In other words, they failed to say whether, when they speak about ‘first world publishing rights requirement’, whether it includes digital publishing as well? Or does it only apply to print? This clarification and distinction wasn’t made, but I think it is important. Because a writer needs to know if it is okay to test the waters through self-publishing as long as they keep it in digital form only.
All that being said, what's all this nonsense about “publishers are only looking for books that have already been ‘proven’ to be successful on Amazon?†What?? Really??
Don’t they brains of their own? Can’t they read? What then is the point of agents and editors?
Besides, this completely ignores the crucial fact that success of a self-published book is highly dependent on effective marketing. Why do people keep ignoring this fact? Why do people keep saying that if a book has been self-published on Amazon but did not sell, then it means publishers cannot be successful with it? What if it is actually a fantastic book and the only reason it didn’t sell was because the author simply lacked the skills or the resources to market it? And isn’t that the job of traditional publishers? Isn’t that what they are supposed to do?
Sorry about the multiple questions, but now you can see why I am baffled by this issue. Here is just one example of what I’m saying (from the same link):
This sentence is from ‘Seth Gordon’s’ answer (in the context of a self-published book not having already sold well):
“But if you self-publish through Amazon and then try to market the same book to a traditional publisher, your book is a known quantity.â€
To me, the statement makes no sense because the book is, almost by definition, NOT a “known quantityâ€. If few people have bought it (usually due to lack of marketing), then how on earth is it a “known quantityâ€? (I will grant, however, that the statement is true only in the cases of self-published books that were only moderately successful. Because it means that the author obviously invested effective marketing into it but the poor/mediocre nature of the book did not allow it to truly take off.)
So, in sum, my point is that the purpose of a traditional publisher, as I understand it, is to provide the marketing skills and resources that many authors simply do not have the means to provide for their books. But if such an author does make an attempt at self-publishing (despite little or no marketing resources) in the hope of being lucky, does that very attempt automatically rule out any chance of the author securing a deal with a traditional publisher no matter much they may like the book?
ETA: Just to clarify what the question is, since some people clearly have trouble reading and are saying things that are utterly irrelevant to the question: the question, quite simply, is does the act of clicking 'publish' for the ebook version of a novel make it impossible for a publishing house to publish a book that they have received from a literary agent and would like to publish? If so, why? Please note that the question is not about sales. It is more about the technicalities regarding copyright or 'first publication rights'. It would still apply even if the book was only e-published by the author just the previous day and hasn't had time to make any sales. Does the very act of clicking 'publish' technically create a problem? If so, why?
I'm sorry I had to be repetitive, but there really does tend to be a problem with reading comprehension that people have with regards to issues like this.
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Kindle KDP says the following about ISBN numbers:
This free ISBN can only be used on KDP for distribution to Amazon and
its distributors. It cannot be used with another publisher or
self-publishing service.
Therefore, I assume they can decide how and where you sell it. Whereas when having your own ISBN, you could sell it in multiple places.
For one data point, Penguin's DAW Books (publishes science fiction and fantasy) has this to say on their FAQ page (emphasis mine):
Do you accept works that have been previously published (self-publishing, e-publishing, etc.)?
DAW can consider all submissions as long as the author currently retains all rights. If you do currently retain all rights, then you may submit the work to us for consideration.
Since this question has received no real (non-nonsensical) answers, I will post an answer based on my own investigations and what other experienced authors and publishers have said about it in other websites by making a few quotations that deal with this question.
[One can still sell it to a traditional publisher], but if you [do]
sell it to a traditional publisher, you will be expected to pull it
the second the contract is signed, and they will probably make you go
through several rounds of editorial revisions just to make it
different from the version that’s still out in the wild.
If you have a winning manuscript, anything can happen. However, here
are the hazards. If there is a free preview and it looks
unprofessional with typos and formatting problems, that will count
against you. If the book has bad or lukewarm reviews, that will count
against you. If the book clearly sold poorly, that will count against
you. [Note that the word 'clearly' is crucial here. Because it's not necessarily clear what it is meant by a book "selling poorly" because that would depend on the circumstances of its publishing. Normally, that phrase implies that the book has actually been seen and received by customers and rejected by them (as opposed to a book that has not yet reached the eyes of customers at all or barely so).]
[Self publishing] doesn't mean that your books cannot be picked up by
a traditional publisher. However, in my experience, having at one time
had nine books published on Kindle Direct Publishing and listed with
Amazon, this route will preclude most...reputable Literary Reps from
reading your books.
Note: The original question is premised on the fact that the agent and publisher have already read the book and would like to sign a deal with the author. Thus, it is about whether there will be an issue if they learn that the book was previously self-published although later removed.
Regarding the issue of copyright:
[Technically, one can still have it traditionally published, because] you
still hold the copyright on your book. You own that text unless and
until you sign away that copyright, which Amazon will not demand and
no credible publisher will demand (If anyone does demand your
copyright, that is a warning sign and you should get away from them).
What Amazon and other publishers buy from you are typically limited
publishing rights (the right to print and sell your book) that do not
infringe on your possession of your intellectual property. Though if
you do get conventionally published, they might require you to stop
selling via your other channels so that people are more likely to buy
the copies that they paid to print and put into bookstores.
Based on these and many other comments I have read, one can conclude that there is no real technical issue (regarding copyrights) that affect the possibility of later publication by a traditional publisher. The only issue would simply be that the privilege of 'first publication' that publishing companies tend to prefer and value would be gone in principle. But, as I said in my original post, from a logical perspective, it is not really an issue if the book has reached none or only a few people. This of course raises an interesting paradox: If a self-published book (like any one of Amanda Hocking's for example) has already reached huge numbers of people due to her marketing abilities as well as, of course, the quality of her books, then who do the traditional publishers imagine they are going to sell it to when everyone has already bought it? Obviously, it's because they know that there are still millions (if not billions) of potential customers out there in the world that can still buy the book and haven't been exposed to it yet.
The rest is really just common sense. As one of those quotes say, a lot depends on the circumstances regarding the book itself: When exactly was it self-published? How long has it been? Did it sell? Was there any marketing involved? What are the reviews of the book like? What do customers who have already bought the self-published version think about it? And so on.
Regarding another of the quotes, I suspect that the reason why literary agents would typically not want to bother reading a book that they are told has already been self-published just comes down to pragmatism and time-saving. Since they deal with so many submissions everyday, they tend to not want to deal with any unnecessary hassle or issues that an already published book might bring (especially in terms of the first publication rights issue). Naturally, they would prefer to approach publishers with books that will not potentially bring any issues. Also, as is typical with human beings, they naturally do not like the idea that they are being used as 'second options' by hybrid authors who are maximizing their chances by trying out both approaches at the same time. It's just human nature. That's why it's best either to not tell them or to submit straight to publishers. Alternatively, if the book has already found success in the self-publishing platform, the author might use that fact as an advantage by mentioning it in the query letters sent to agents.
In a nutshell, yes, self-publishing does all but eliminate the chance of the same work being traditionally published.
If the book was self-published and it didn't sell, why would a publisher want it?
If the book was self-published and it did sell, who would the author need the publisher? The author is likely making 70% on sales and the publisher wants to offer 10-15%.
To explain one point you made: Publishers are only looking for books proven on Amazon. This is not quite true. More accurately: Publishers are interested in authors proven on Amazon. e.g. If you were to self-publish, and produce profitable results, a traditional publisher may be interested in signing you for a 3 or 4 book deal, and they'd make an offer on the first book so as you are exclusive to them.
Publishers don't publish 'good books' or 'books they like.' They publish books they believe will sell. You'd be surprised how often they get it wrong.
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