: Re: Wanting to write a gay kiss... for young audiences I wanted to write a gay kiss at the close end of my third book. I already started their chemistry with each other on the first and more

A kiss is just a kiss.

It's not a gay kiss as far as writing is concerned.

Lips are lips. Maybe they both have beards or something but...the same feelings and actions you would have in a hetero kiss, you would have in what you are calling a gay kiss.

The real issue is this:

Now if I write it I might be afraid people won't approve it.

Thing is, there will be people who don't approve of your writing, gay or not. Some will disapprove because of the gay. If that's your fear, I am not here to tell you that will not happen. I am just here to say that you should accept it, not fear it.

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: How do I make my supporting POV interesting, altough he is not important in the story? I have one POV character who is not too important to the story. He is an Elf soldier who keeps a important

@Tiffany377

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: The use of elipses in writing a novel I am a little confused and need some help in clearing things up. In writing dialogue and the speaker pauses how do you show this. Now, from my understanding

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: Eavesdropping on everyday conversation doesn't do it for me thanks to my deep-seated hatred for small talk, and I don't see the point of it because it's boring, unstimulating and random while

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: Introducing secondary characters The dilemma I find myself in is introducing secondary characters. Say, this character - a family relative - only exists fleetingly in my story. The first time

: Re: Wanting to write a gay kiss... for young audiences I wanted to write a gay kiss at the close end of my third book. I already started their chemistry with each other on the first and more

More posts by @Tiffany377

: How do I make my supporting POV interesting, altough he is not important in the story? I have one POV character who is not too important to the story. He is an Elf soldier who keeps a important

: The use of elipses in writing a novel I am a little confused and need some help in clearing things up. In writing dialogue and the speaker pauses how do you show this. Now, from my understanding

: Eavesdropping on everyday conversation doesn't do it for me thanks to my deep-seated hatred for small talk, and I don't see the point of it because it's boring, unstimulating and random while

: Introducing secondary characters The dilemma I find myself in is introducing secondary characters. Say, this character - a family relative - only exists fleetingly in my story. The first time

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