: What are the stages to self editing? I just finished writing my first draft of my novel, and I don't quite know the states of self-editing. Right now, I'm not looking for advice on professional

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Get the Hemingway program for computer. Copy and paste passages into Hemingway and it will instantly highlight issues like adverb use and lots more. Its a program that has been used by journalists to make their articles 'pop.'
You can even just use the online version at hemmingwayapp.com but it is an unsecure site according to Firefox

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(Mary's answer feels spot-on to me. I wanted to comment to shade setting it aside a bit, but I had just a hair too much to say...)
The point of setting it aside is to make enough distance to get around (or over) yourself and see the text closer to how it is. A month is a good place to start, but there's no one-size-fits-all gap.
Low-level editing may not take as much distance as coming to the conclusion that a scene with one of your favorite lines of dialog doesn't otherwise pull its weight. A task like cleaning up dangling references to a cut scene may be easier to get right when you're very familiar with what happens where, but spotting references that fell through the cracks may take very fresh eyes.
Letting it sit is sound advice (and a very common practice), but a big part of distance is getting your mind to move on (read a few books, or start a new project).
If you're itching to dig in and don't think you'll be able to keep yourself from chewing on it, I wonder if it might help to frame it as a learning exercise:

mark a few chapters (or the whole thing, if you must) without making any of the changes
set it aside and find something to keep your mind busy
return to a fresh copy and repeat the exercise
compare what you caught and wanted to change each time

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Whatever gets you to a final state that you like. You're not handing in drafts in English class.
Some steps that various writers have found useful:

Put it aside for a month to let it cool. This helps you read with more objectivity.
Work from the big picture to the small details. It does you no good to carefully polish every sentence in a scene if the truth is that the scene is superfluous and should go, and no good to ponder whether a scene is superfluous when the beginning and the end belong to different genres and so the entire section with the scene will have to be jettisoned.
Consult beta readers at some point. There is a trade-off here -- on one hand, you will never get a second chance to get a first impression from the readers, and you might waste them on problems you could fix yourself, and on the other, you don't want to get useful feedback after you are so sick of your story that you can't bear to revise it one more time.

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I highly recommend The Paramedic Method, which is what I now use to edit all of my drafts. To summarize:

Cut out passive voice. Passive voice is sentences where the subject is obfuscated and there is no clear action, i.e. "The machine was fixed" or "The decision was made." Passive voice makes for weaker, less deliberate writing. After cutting out the passive, you rewrite the affected sentences to use simple, active verbs, i.e. "He fixed the machine" or "I made the decision."
Remove adverbs and unnecessary words. Nine times out of ten, you do not need words like "suddenly," "quickly," "very," "really," etc. Cut them out - they just clutter up your sentences. You can also get rid of unnecessary adjectives. Read through sentences before and after to see if the flow has improved, and make additional adjustments if these changes altered the rhythm.
Remove bad "rhythms" from your sentences. This means removing places in your draft where sentences drag on with no clear direction or are too repetitive - i.e. sentences like "He went to the door, and opened the window, and looked outside." Can you hear the ba-da, ba-da, ba-da? It's boring, and needs fixing to make the sentence more exciting to read.
Keep subjects and objects clear. Make sure your reader always knows who is doing what, or who is saying what lines of dialogue. Don't confuse subjects or make the reader unsure of what is going on in a sentence.
Put the action first, and remove wind-ups. Sentences that take a long time getting to the point are not good for keeping your reader's attention. Make sure the action comes first.

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