: Why do all of my lyrics have 3/4 feeling I write song lyrics for fun and I always add simple music so the song can be performed. About 40% of my songs are in 3/4 (6/8) signature which is
I write song lyrics for fun and I always add simple music so the song can be performed.
About 40% of my songs are in 3/4 (6/8) signature which is kind of unusual in the big picture.
It's just that lyrics coming to me already feel 3/4 and I'm unable to force them to be 4/4.
I feel like I'm getting kind of boring with 3/4.
Obviously I can create 4/4 song since more than half of my songs are 4/4 and none of them were/feel forced.
I don't feel like 4/4 songs use different words or stuffing words or weird pauses. Writing in different language makes no difference.
Is there a writing concept/trick for good sounding 4/4 lyrics or for 3/4 to 4/4 conversion or should I ask music theory to fix my feeling?
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@Miguel976
You shouldn't force your music/lyrics to come out one way or another or else they will have a "forced" feeling about them. You are perfectly free to create your own kind of music, in 3/4 or 4/4 or in some sort of mismatched beat. As long as you get the message across that you want to--or the feeling-- your music will have a freeness to it that music made by artists who want their songs in a certain time signature won't have.
Make whatever you want! As long as you are happy with it and you like the music the way it is, you don't need to feel one way or another about the time signature. Just like authors who usually write horror and try to write romance may epically fail or enormously succeed, artists who write in 3/4 may be great at it or not. Try a few things out, tweak the time sig, and maybe you find a new normal.
Hope this helped!
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@Kristi637
Personally, I love songs in 3/4, they tend to be more rare in the bigger picture. But yes, there are several ways of translating a 3/4 rhythm to a 4/4 one.
The easiest, but least natural, is just to add a one beat rest at the end of each line. Another method is to sing in triplets over a 4/4 beat, which can be very compelling if done correctly. You can also do a clave beat, which is three unequal beats over a 4/4 base (usually 3/8, 3/8, 2/8). Finally, you can double the length of a beat in each line, either consistently, or randomly.
The thing about sung lyrics is that, unlike metrical poetry, which is very regular, lyrics tend to be rhythmically irregular anyway (otherwise they sound overly "sing-songy") and often have emphases or extensions that would sound unnatural or forced in spoken word. As an example, consider the hook of the song "Stressed Out":
Wish I could turn back ti-me. To the good old da-ays.
"Time" and "days" are both forced into two syllable words here --it's a major part of what makes the song distinctive.
It's a little hard to depict this in text, but consider a famous song in 3, the Beatles "Norwegian Wood"
I
once had a girl
or should I say
she once had me
You could put this in 4 by making "I", "girl" and "say" an extra beat, and singing "once had a", "or should I" and "she once had" with a clave beat.
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