: Re: What exercises will help me write my co-author's character? I'm working on a novel together with my co-author, K. K's come up with this great character - a sassy were-cat name Garlic. Unfortunately,

@Phylliss352

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I'm in agreement with John Smithers here: the issue seems to be that you don't know enough about the character, so K needs to supply as much detail as possible for you to start with. Perhaps write a questionnaire for K to answer as if you were interviewing Garlic. This is an old technique, but it could help you get answers to fundamental things you want/need to know to understand the character better.

However, I think there's a more fundamental issue here. Clearly, the character belongs to K, so the issue for me is that you haven't brought your own ideas to the table. It's all very well that the character originated with K, but since this is a collaboration, and you are both planning on writing this character, then the character should belong to both of you. Once you get the character histories, then start to expand on them yourself. Add your flavour to the mix, and continue communicating and sharing ideas about Garlic.

A last point: don't stress too much if you don't get it "bang on" with the first draft. Things can always be refined with editing later, and so K can edit your scenes (and vice versa) if necessary for subsequent drafts.

Edit: since you've commented below asking for specific exercises that I can suggest for collaborations, I had a think about it.

I've already suggested the interview technique, which can work well for collaborations.

The second exercise I can suggest would be to get together with K online and do a chat room session (or meet each other and do something akin to a role-playing session) where you each take on a persona: you would take on Garlic, and K would take on a key figure from Garlic's life. Switch characters regularly so you see how each other handles Garlic. Not only that, you get to explore the other characters as well.

You mentioned that you could be working on an existing body of work, in which case you would need to research extensively, so there would be no avoiding the "boring" traditional techniques. However, perhaps what you could try is, after doing your research on the character in question, take an existing dialogue exchange, or some key moment from the character's life from the TV series that you haven't read/seen (but you know the basic facts of what happens - get K to share this with you), and then write it as you would have done it. Once you're done, compare it to the original, and see where key differences lie. This can help highlight where you are spot on, or where you've missed the mark completely.

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