: Is there a description of location required in intense moments of the story like in a love story I am writing a short love story. There is a moment when the man and woman he loved meets

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Yes, you very definitely should use descriptions, whether of the location, what they're wearing or any other thing that will bring us there; make the scene vivid for the reader. That is, you should give the telling detail: that one, or those few items that tell us who these people are.

I might recommend that you read Nick Cave's short novel "The Death of Bunny Munro" as he is one writer who is very good at this sort of thing.

Also, I would try to lose words like beautiful because they're verdicts rather than descriptions, and so, for me, should be the prerogative of the reader. I would lose them, even if they are verdicts made by a character. Try replacing it with an emotional or physiological response. And, let's face it: at fifty-something people aren't necessarily beautiful anymore; all that was once firm and supple is beginning to sag, bloat, flop and wrinkle. And the face that could launch a thousand ships might only just inspire a dinghy. If she is still beautiful, and some are, describe her briefly so that we can tell.

But love is about other things, isn't it? I think you need to work on their emotional conflict, or his conflict, and it has to be conflict, you got that right. No one carries a torch for 32 years without some unresolved issues. And even then it's kind of pathetic and sad, and you should work out whether he should be aware of that. People have had full lives shorter than that. Work, career, family, sex, passion, follies, tragedies... You don't necessarily need to tell us, but you should work out for yourself what they did with their lives if they are to come off the page. And try to write like you were acting, like you were these people: what would their idiom be? Would she say; "it's a bit cold out here"? Or would she use nippy or freezing? what would her response be if he says he never married? "Well, what did you do then?" Something like that.

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Lexi gave a good run-down of what is needed, let me add a few tricks.

Reuse the location. It was formerly introduced in detail when that was needed for another scene. That way a one-line mention will suffice.
Make the location a radiant extension of the scene. It isn't curtains and a window, it's a golden glow framing her shape and veils flowing by her face.
Use a generic setting that needs just three words of introduction and make the lovers so infatuated they cease to see it. But do non introduce non-generic elements of the setting later, unless being jarring is your purpose.
Make the location an arena of non-verbal game, make the elements appear in a physical play. Chasing playfully, hiding, a romantic walk.
Make the description impressive, not descriptive: how it feels, not how it looks. Make it an extension of personality of the one who lives there, not merely a location.

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The key thing to keep in mind with writing fiction generally is: Does it add to the story? There's nothing wrong with describing a place, but how does that set the scene for what's about to happen? How does it set the mood? If you describe a place for the sake of describing things, that really drags down the pace and kills any tension you have at that point.

So when you're describing the house, think about:

What kinds of things the woman would notice, given her agitated state of mind in coming to visit the man. Would she notice that the place hadn't changed, that the furnishings hadn't changed (cue descriptions here)? Would she notice the vase she gave him for his birthday, back when they were still going out, or the candlestick she threw at him when she left him? If she's thinking about well-ventilated houses, how does that relate to their relationship in the past (given that this is meant to be the focus of your scene)?
Elements that you can use to represent their current situation/mental state. If the man feels withered/crumbling, you could set the mood by describing dying flowers in a vase, peeling paint, broken furniture, etc. You could show the gap that's grown between them by contrasting how things looked in the past with how they are now (presumably older, dustier, tarnished, etc.)

Obviously, you wouldn't use everything, as it would be description overload. Granted, if you were going for a 'literary' piece, that's another matter. :P
But generally, you'll need to pick and choose what you think would work best for the emotions and mood you want to get across, as well as the pace you want to set.

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