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Every so often I see a nice piece of fiction where its author adds something (to save the plot, or to make it interesting, whatever) that makes the story broken (usually it makes the world, setting or environment broken). Canonical examples include:
unlimited time travel (e.g. in Harry Potter someone could have use the time-turner to kill Voldemort before he became dangerous),
super-ultra-hyper-mega weapon (e.g. in Star Wars: A New Hope, Vader could just annihilate both the planet and the moon, he didn't need to wait for the moon to become visible),
unconstrained teleport (e.g. in Lord of the Rings, Frodo could have just flew to destroy the ring).
I would like to make a list of features that could easily make the world broken, so that the author should think twice before adding such an element or avoid it if possible. To make it more helpful, some comments on how to make such feature workable (constraints that doesn't prevent its use, but does prevent abuse) would be appreciated, for example:
time-machine which needs to be charged before each use, and you can only go back as far as the charge-time was;
super-weapon with
very high reload time (or even one-time weapon),
big resource consumption,
limited aiming capabilities,
teleport only between linked teleport stations and with some non-zero transmition time.
Sometimes such features are very mundane, for example, weird money exchange rates that would make arbitrage possible (in a story where huge amount of money would solve the main challenge or make it considerably easier).
I would greatly appreciate your ideas!
EDIT:
It feels like I was misunderstood. I don't want to create some infinite (what?!) list of forbidden tricks. As for the survey-making comment, I have no idea what you want to call it, but number of questions from top of Highest Voted Questions are of form "what are good to/about " or "best to do/avoid ". Maybe "what are good features to make your story ridiculous" or "best ways to make your story broken" would be a better description of question I wanted to ask.
Also, it is not a plot holes I am looking for. Things I am looking for induce plot holes, but not every plot hole is what I am interested in. The main difference is that features like unconstrained time travel make the story broken continuously and independently of what the protagonists will do (but for destruction of the time machine). At any point they can do almost anything including complete reorganization of the world (and thus removing any challenges).
Plot hole is usually a single event that doesn't fit, e.g. some kind of "out of character behavior". What I am looking for are things that create a plot trench, where someone ignores a natural and easy solution for a long period of time (usually from feature introduction to the end of the challenge). Often it is not only the main challenge that would be rendered pointless, but also any other similar problems.
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Trying to build a list of all the possible "excess magics" that one could put in a story is probably a hopeless task. For one thing, the list might well be infinite: You could list a thousand things and someone could come up with one more. For another, there are plenty of things that exist in the real world that could provide easy solutions to many plots.
For example, I don't know how many stories I've seen where I just want to yell at the screen, "Why don't you just call the police?" or "Why don't you just tell her you love her?" or whatever. What I find particularly grating about many of these is that a writer with a dime's worth of imagination could toss in some explanation of why the obvious solution doesn't work. Like, the hero calls the police, a policeman comes ... and then it turns out the policeman has been paid off by the criminals and so he just calls back to headquarters, "No hostage situation here. Just some nutjob who wants attention."
And yeah, many many time travel stories, I find myself saying, Why doesn't the hero just go back in time one hour and try a different solution? Why doesn't he go forward to the day before he left and tell himself what he's going to encounter so he can prepare?
As to plugging the plot holes: I think the trick is to make the plug not sound arbitrary. Like in many time travel stories they "explain" why the hero can't go back and prevent World War 2 or save his friend's life or whatever by saying, "We can't change history". But the whole point of the story is that they went back in time and changed things. Why can they change some things and not others? I might buy it if at the beginning of the story they set out some coherent rule of what can be changed and what can't, or if in the course of the story the characters discover this rule. But of course the real rule is, "You can change things that make the story more interesting and you can't change things that make solving the hero's problems too easy."
I heard a lecture by a mystery writer once where he said that he spends a lot of time putting doors in alleys. He explained that what he meant was, if in chapter 10 the hero is chased into an alley, and then just suddenly conveniently finds a door through which he can escape, it looks awfully contrived. But if in chapter 5 he has the hero go to that alley and notice the door and go through it and see where it goes, and THEN in chapter 10 the hero gets chased into the alley and escapes through that door, it doesn't look so contrived. I think that's a big part of the trick. If you bring something up that creates a problem or solves a problem just when you need it, it looks contrived and the reader feels cheated. But if you bring it up a couple of chapters earlier, and then it's there when you need it, the reader feels like he's been given fair warning.
I'm afraid "infinite lists of items" are not really welcome here. OTOH, links to resources containing such lists are okay, so...
Fridge Logic,
Plot Hole
Warning, TVTropes links.
Superpowers which aren't fueled by anything and have no consequence for using them.
The example which springs to mind is "Heroes." When indestructible cheerleader Claire regenerated, or speedster Daphne ran, they were burning energy. That energy had to come from somewhere. They should have been eating constantly, and even more whippet-thin than the poor girls already were. Claire regenerated a toe in an early episode — where did the mass come from to create the toe? She should have immediately needed to inhale two cheeseburgers or something.
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