: Re: Writing an article avoiding Libel I will be creating a blog article that talks about Illuminati in our local country. I will be talking about the "organization's" role in making specific artists

If you want to avoid libel, you need to either not name real people, or not say anything you won't swear to in a court of law.

There are some jurisdictions where simply claiming "this is a work of fiction" is enough. But there are other jurisdictions where that fig leaf is not enough, but a stronger disclaimer that your claims are false would suffice. But, in actuality, the only way to make an untrue statement about someone and not run the risk of a libel claim is to not say anything about a real person that you wouldn't testify to in a court of law.

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: Evoking happiness in a very short story Hemingway has the canonical very short story: For sale: baby shoes, never worn. This piece manages to evoke a strong emotion of sadness. Wired has a

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: What comes first: the hook or the rest? What is generally accepted method or writing a good song? To start with the hook and let the rest of the song point to it, or start from the beginning

: Re: Writing an article avoiding Libel I will be creating a blog article that talks about Illuminati in our local country. I will be talking about the "organization's" role in making specific artists

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: Evoking happiness in a very short story Hemingway has the canonical very short story: For sale: baby shoes, never worn. This piece manages to evoke a strong emotion of sadness. Wired has a

: Inline Citations when Critiquing a Single Source (APA) I am writing an essay which is entirely a response to a single source. I mention the source in my introduction paragraph, and I give

: It might be worthwhile to read different styles of contemporary poetry, looking for examples that are clear but have a sense of rhythm that appeals to you. Leaving aside the KJV Bible, it's

: What comes first: the hook or the rest? What is generally accepted method or writing a good song? To start with the hook and let the rest of the song point to it, or start from the beginning

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