: Is it bad to include subplots that don't push the story forward? I want to add a few chapters that don't push the story forward; they only explore the background and motivations of the characters.

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I'm a hobby writer and a learning coder, and I stumbled on this place. Very cool to find writers here, and what an excellent question. The answers above are excellent too.

As for subplots, the above fly episode, which I have not seen sounds interesting. Sometimes a writer needs to add exposition, and it would seem this person has done it in an interesting way. Many writers don't.

I have heard it said that a true sub plot looks at how a secondary character would deal with an issue very like the main characters but in a different way. It allows an examination of the road not taken.

There is a great writers site called Scribophile.com if you have further questions.

Just my thoughts. I wish you luck.

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The main plot of your story is what keeps the reader coming back for more. If that suddenly grinds to a halt, you run the risk of losing the reader. Just how entertaining and important are these chapters?

Could someone skip them and still enjoy the story?
Is the reader likely to become frustrated that the story has suddenly stopped?
Can the reader fill in the backgrounds/motivations for themselves?
Do you really need to explain everything, and if you do: Why can't these sides of their characters be revealed in the main story?

If you still feel you need these chapters, then make sure that you present them as an actual subplot -- which is to say, a separate story that runs alongside the main one.

You use the word "subplot" in your title, but then describe something which sounds like vague disconnected chapters. If there's another story to be had here, then there's no reason to not run it in parallel with your main one. That's often extremely enjoyable for your readers (just about every TV show episode has several stories, for example, that aren't all necessarily connected).

It's worth remembering that the FLY episode of Breaking Bad stopped the main story to delve into the characters, and the reaction by a lot of fans was VERY negative -- despite the fact that the episode itself is actually very well written and directed. It's generally not a good idea just to stop and meander, and when TV shows do it it's usually because of budgetary constraints. (Plus, it's worth noting that the episode DID progress the main storyline, if only slightly.)

So be honest with yourself, and your readers, and ask yourself if these extra chapters are entertaining. If you really thought the answer was "yes", I'm pretty sure you wouldn't be asking your question, so maybe you can take the information from them and make it more interesting somehow.

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All depends on pacing.

Imagine the main plot needs a lot of slow build-up. You'd bore the reader. So introduce a sub-plot, an alternate layer that tells some backstories - captivating, thrilling backstories. Pepper your main story with episodes of the new thread to carry the reader through slow times.

Alternatively, you can give the reader a breather in case of really rapid action. The team hunkers down under fire and tries to wait out the enemy, they might exchange their stories from home and tell of their personal dramas while bullets whizz over their heads. Still, don't stretch that into whole chapters. Section of such slowdown at most.

OTOH, if you just give a slow, boring backstory, while the main story progresses at moderate pace, really try to keep it to minimum. It frustrates and bores to no end.

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Consider adding them as appendices. This gives readers the choice when, if at all, to break from the main plot, or delve deeper into the character backgrounds after finishing the main plot.

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Oh my, yes. Just a personal opinion, but these lose me faster than anything else. I have a love/hate with Stephen King for the same reason. He gets so much into "atmosphere" (read - useless backstory) that I can hardly finish a large part of his books (and literally skip paragraphs and paragraphs when reading to get to the salient points).

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Every line you write should have some goal or purpose in your story: drawing the reader into plot, character, or setting. (In fact, having each line, or as many lines as you can, do two or more of these can work very well).

For example, the Fly episode presumably increases your empathy with characters, sets up important moments later on, etc.

If your break doesn't do any of these, what's the point? Leave it out.

If it does: what purpose does it serve to have a break here? Have you just had some tense scenes and need to relieve pressure so you can build it up again?

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