: How to name characters of unspecific nationality and race? I am writing a generic story. I have a setting that is not tied to a specific region on earth, though the story certainly does occur

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There exist some names, which are common throughout Europe and North America, no idea about the rest of the world:

Peter
Maria

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You could provide fodder for those doing literary analysis and chose names for deep symbolic reasons from history, literature or for their meaning. This provides the dual benefits of layered meaning and non-regionalism.

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Frankly, I think this would be very difficult to pull off.

You could give all the characters made-up names that don't come from any nationality. But this has two catches: (a) One or two characters with unusual, made-up names would be plausible. Like if the characters are named Bob and Sally and Mamber and Fred, a reader might think, hmm, Mamber, what an odd name, but there are people all over with odd names, it wouldn't be implausible. But if all the characters have odd, made-up names, the reader will surely find this unlikely and disconcerting. Then the story isn't set "anywhere", but in a make-believe place. (b) In any case, made-up names are still likely to have the "sound" of some nationality. Like if I say that a character is named "Komomuro", I just made that name up, but I think most Americans, at least, would say that it "sounds Japanese". Every now and then I hear of corporations spending millions of dollars trying to come up with a name for a product that will sound "normal" in many different countries. It's not easy.

You could have all the characters go by nicknames -- "Baldy" and "Red" and so on. But that tends to sound odd, too. In real life most people DON'T go by descriptive nicknames. And the nicknames are likely to be place-specific. Do people in Zimbabwe call each other "Red"? I don't know.

You could avoid giving the characters names at all. Just call them "the tall man" and "the red-haired girl" and so on. Possible, but I think that would get tedious and awkward pretty quick.

You could have names from a mix of nationalities. Have one character named "Jones" and another named "Wang" and another named "Lopez" and so on. Possible. It would certainly make it unclear where the story is set. If there are only 3 or 4 characters that could work, but beyond that it starts to sound weird also.

Frankly I think the best solution is more along the lines of Filip's: you can discuss universal themes while still setting the story in a specific place. People all over the world can relate to, say, Romeo and Juliet. I'll bet many don't even remember where it's set. ("In fair Verona", right?, but whatever.)

It would be extremely difficult to write a story that gives absolutely no clues to where it's set. You'd have to carefully purge every conceivable cultural reference. If you say, "Bob wore a blue shirt", then this must be in a culture where men wear shirts and not, say, togas. "She drove home." A society where people have cars, and not just any people, but people of the social and economic class that this character is a member of. And women are allowed to drive, so apparently not Saudi Arabia, etc. Trying to write a story where everything that every character does is a plausible thing for someone to do in any society anywhere in the world would be daunting, even if you know the cultural norms of every society in the world. Odds are you don't -- I certainly don't. I'm sure that if I tried to write a story set in some place I've never been to, it would be filled with errors that people there would find jarring or at least amusing. Ranging from big to small, from, "Umm, your whole story is about these two people dating, but people here don't go on dates. Marriages are arranged by parents" to "You say the hero lit a cigarette during the meeting, but smoking is not allowed in any public place in America any more".

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My first thought was why not use non-typical/atypical names (or even codenames as another person suggests)?

You know, names such as "Dasher", "Dancer" and "Prancer" or "Onedwarf", "Twodwarf" and/or "Threedwarf"?

How about descriptive names such as "Oneeye", "Haircut" (could be great for a bald character) or "Beefchop" (for an especially muscular character)?

OR, you could even just use the characters' surnames. Think about it:

"Henderson looked over at Rimmer, furious."

or

"Joplin considered Lawson's suggestion, but ultimately dismissed it."

or even

"Norton skewered Clayton through the throat with his sword, lifting Clayton's twitching remains high above his head, showering himself and the other spectators with Clayton's life liquid." (apologies for the slightly gory example there - I got carried away!)

The reason for this (surname-only) suggestion is because the surnames could/would have originated from anywhere in the/your world and will not be directly affected by the birthplace of each character because surnames tend to typically carry on throughout generations within each family and are not allocated at birth.

You don't mention any specific detail of your story, so I am unsure as to whether or not this will suffice, but something along those lines may serve you well and I hope that you are able to find a little inspiration in my words.

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Firstly, I think that whatever you write will have a distinct flavour of your cultural background, no matter how universal your story is or how hard you try to conceal your upbringing. However, this is not necessarily a disadvantage. Think of Shakespeare's Macbeth: The story is firmly rooted in a specific time and place. But does this affect the universality of the story? Certainly not. In fact, it enrichens the story by adding a distinct flavour and atmosphere to it. In this sense, it might not be necessary for you to employ a universal setting for a universal story. If I was in your situation, I would probably just stick to the setting that I am most familiar with, since this strategy ensures that I get the background right. (Plus, I believe that it is every storyteller's duty to document his or her culture. One reason I like Hosseini's books so much is that he allows me to glimpse at Afghan culture, although the stories he tells are not necessarily specifically Afghan.)

Another possibility is to mix up different cultures. Think of - and this is a somewhat poor example following a masterpiece like Macbeth - the late Pixar movie Big Hero 6. I enjoyed the wild mix of San Francisco and Tokyo a lot, which not only affected the setting of the movie but also the names and the behaviour of the main characters. If you are well familiar with foreign cultures - be it Japanese, Chinese, Iranian, whatever -, you might want to give your characters culture-specific names and let them act as agents of their respective culture. This is another way in which "universality" might be achieved, although it is a different kind of universality.

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Depending on how many characters, it may be possible to avoid naming them explicitly by using identifying characteristics or their role. If that is a suitable option, more ideas on how to implement it effectively can be found on this question.

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