: Re: Should "plot" or storyline be the main determinant of what goes into a story? In writing a screenplay, I created a bunch of scenes, with about twice as much material in total as I needed.
It sounds like you're something of a discovery writer (aka pantser). You wrote lots and lots of material, and now you have to carve away everything which doesn't fit your plot. If you are a discovery writer rather than a planner, then removing all the parts which don't belong there is part of the process of writing your first draft.
Keep all the cool bits in a slush file. Maybe you can extract dialogue or ideas to reinsert later, either in this piece or a later one. Maybe you can just reread the individual scenes for your own enjoyment. Ultimately, every word in your finished product should serve your finished product — not be your entertainment.
Making the receptionist the confidante is an excellent example of making a boring-but-necessary character/scene into something important and plot-serving. (good job!) See if there's anything you can pull out of your cut scenes which can be similarly used to improve other boring-but-necessary bits.
More posts by @Debbie451
: The backstory's overwhelming the actual story I have a character with a grim past (forced to watch torture). I need him to have that grim past in order to explain his behaviour in the story
: Methods for creating slang I am interested in creating slang or a vernacular for a particular group in my story. I want it to be distinctive and a definite marker for in-group/out-group, but
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.