: Re: Story development: Multiple characters premises I am used to stories which have one premise which through sequential events is proven by the character. A few stories like war stories can have
Either I'm misunderstanding what you have said or I think you need something to tie various people together. I was just thinking of the disaster movie 'Towering Inferno' and obviously what tied really diverse people together was a fire. However, all the individual reactions to it, including the many deaths, were eventually subsumed by the putting out of fire and the focus on a relatively small number of people. Not all of the people develop: some of them just die.
Compare this to 'The Poseiden Adventure'. A very similar thing happens: a large number of people are affected by the ship turning over. Then it narrows to the few who try to escape.
Simply presenting a number of different views on a train journey is really more like a series of short stories with a common motif, rather than a novel. I would suggest that your crash needs to be a focal point from which some people can develop and others disappear: dead or just unimportant. It is a structure that draws the reader/viewer in.
As for specific plots, that will depend on where and when you are setting the story. If it was set now in England a crash in the Chanel Tunnel with some opting to go towards France and others towards England, would be a possibily. If you had the train travelling through a remote snow covered part of Europe and the crash happened just before (or during) a blizzard that ruled out rescue efforts, you have room for characters to develop. If you have a steam train being robbed in the Wild West (the thieves remove a rail on a bend to make the train crash so they can rob it and leave the surviving passengers to die) you can show how different characters react to the situation.
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