: Re: Story development: Multiple characters premises I am used to stories which have one premise which through sequential events is proven by the character. A few stories like war stories can have

The problem is that the complexity increases exponentially with additional points of view.

Ideally, you'd have only one point of view, the teen. At most, you should have two, the teen and his mentor, who increases the complexity by two squared or four.

The people on the train should not be "point of view" characters, but rather minor characters. To use multiple points of view is a big job that requires a seasoned writer. Wait until you are "world famous" before attempting such a task. The last time it was done successfully was in the "Big Chill," which came out in 1983.

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: Re: Story development: Multiple characters premises I am used to stories which have one premise which through sequential events is proven by the character. A few stories like war stories can have

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