: Re: What is the meaning of the dictum that the third act should contain the greatest crisis? I am working on a screenplay in which the protagonist has to surmount a crisis in each of the three
I notice that no one has tried to explain what "biggest" means as far as the crisis in the 3rd act being the "biggest crisis." I'm sure there are other metrics, but one of them is how high the stakes are. Do the stakes, that is, the scope of what is in jeopardy, increase through your acts?
Another way to understand stakes is as the cost of the crisis not being resolved favorably. Ask yourself what are the potential costs for each of your crises. Do the costs escalate as you go from crisis to crisis? If not, I suggest you rethink your crises because they won't be fulfilling to the viewer.
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