: Writing a novel largely composed of question-answer sessions I am a novice writer, just starting on a mini novel in the Science Fiction genre. The crux of the novel is about 4 or 5 discussions

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Plato's Dialogues are the paradigmatic example of philosophical arguments in the form of fictionalized conversations, but no one reads them for the plot. More recently, Jostein Gaarder's Sophie's World is a famous attempt to dramatize a general introduction to philosophy in the form of a novel (although opinions are mixed as to how well it succeeds in either goal).

For my own personal list of favorite books where weighty philosophical topics are integrated into the action (more or less successfully), I'd try the following:

Fyodor Dostoyevsky - The Brothers Karamazov: One of the most justly famous philosophical novels of all time --it combines a soap opera plotline with long intense theological arguments.

Neal Stephenson - Ananthem: The majority of the book manages to be compelling while following a cloister of philosophically inclined monks and their arguments. The book moves towards a more action-oriented narrative at the end, a move I personally found to be unfortunate.

David Zindell - Neverness: The book dramatizes a number of abstract mathematical and theological concepts. In my opinion, one of the more successful integrations of philosophy with plot.

Samuel Delaney - Dhalgren: A lurid and surreal exploration of topics around race, sexuality, identity, reality, sanity and aesthetics. Brilliant, but notoriously difficult to read and understand.

Lewis Carroll - Sylvie & Bruno: A dizzying postmodern mashup of philosophy, romance, fairy tale and whimsy, less integrated than simply chopped together.

Russell Hoban - The Mouse and His Child: A deceptively deep meditation on the existential push towards self actualization, in the presence of fate and the infinite, all as presented in the form of a children's fairy tale.

Walker Percy's - The Moviegoer: The integration of several core themes from proto-existentialist philosopher Kierkegaard into a single unified dramatic narrative plotline.

Finally, not novels, but Waking Life and My Dinner With Andre are well-known movies that revolve almost entirely around philosophical monologues.

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Interesting concept to make a story in dialog only (hopefully with some description and motion by the characters). I'm assuming the tension will come from the different perspectives of the speakers. One thing which you may want to do is have the speakers include stories in what they say and have those stories demonstrate their philosophical stance. In other words, have them give concrete examples of people (or animals - think Aesop's fables) personifying the philosophies.

You may already be planning that, but I thought I'd mention it.

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and welcome to the site.

I do not know of any novels that follow the format you are describing, but that is a good thing. I believe one of the reasons World War Z stood out from the mass of zombie fiction out there is because it had a different format: letters. That format made it stand out from the crowd, and I think a novel made primarily out of Q&A would have the same effect, as long as it is written well.

As for whether or not the novel you are describing would be an interesting read: It's hard to gauge the general interest, as we are all individuals and have our own opinions, and the format you are describing is very rare. For example, my first instinct of such a book would be that it would be boring. Q&A? No action? What is this?

Then again, that would have been my first impression of World War Z had I known the format. Therefore, your job is to overwhelm what the reader expects. Your key in doing this will be tension.

A discussion is inherently not the most gripping thing on earth. You need to add tension to it on every page so that the reader will be on the edge of his seat. Pretty much all tension can be summed up as questions:

Why is he nervous? Why did he ask that? Why is he glancing towards the door? Why did he word it that way? Why is this guy so tense? What did that mean? Who is this guy? What's this person's agenda?

The list goes on and on. Get the reader to ask himself these questions through the dialogue/narrative, and you will have high tension. Remember: there can never be too much tension.

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