: Re: Tips for writing poetry in forms I've written poetry for a long time, but most of it is free verse. Sometimes I want to experiment with forms (sonnets, villanelles, etc.). Are there any suggestions

@Vandalay250

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Coming from free form, the poet's attitude towards poetry is somewhat radical. And this comes from the fact that the words flow freely through your ink. Most times, as it is said with the voice in the poet's head, so it is written. Form serves to do two things:

Constrict this frivolity to write more purposeful poetry.
Open up a form of expression hitherto unknown to the poet.

There are many ways to make this transition. But before making a transition into writing poetry to form, the poet needs to know, live, and breathe the forms
Learn (and practice!) the forms
When a poet writes to form, the poet's mind gets into the habit of thinking in that form. For starters, the poet can re-write a poem in a particular form with a pen and paper. Read the poem, and write it. For example, you see a Madrigal, you pick a pen and copy down the words on paper verbatim. Grunt work. This would get the poet thinking about being bound by rhyme schemes, refrains, and so on.
From this point on, the poet can go on to exercises. Practice writing poems in that structure. They do not have to make sense. Write write write. Take this exercise like the Japanese martial arts kata. Do it mindlessly.
Repeat this for different forms.
Now we have the forms in mind, these are a few tricks I have used to write poetry to form.
Start with the original idea
When you have an idea, say an inspiration, a line, a scenario... (frankly I don't know how these things come), write down the idea as plainly as possible. Most times, this idea will fit into some type of form. You may then choose to discipline yourself into continuing the entire poem in this form, or change the form to whatever feels better.
Use form purposefully
There are some forms which exist for certain purposes. If an idea is meant to serve a certain purpose, I have found it easier to use the form for this purpose. A few examples

I want to debate two points of view; I use a bob
A song comes to mind; I use a limerick, a ballad, sound poetry, or pure lyrics
Cajoling people or places? A clerihew would suffice
Showing linguistic prowess? A fib, monotetra, or any of them algorithmic forms
...and so on.

Mix and match
Most free-verse poetry finely fits into spoken-word poetry. This claim is on the grounds that free-verse poetry mainly originates from the voice in the poet's head. That said, free-verse poetry would yield more to mixing poetry forms. I find this to be the easiest transition method for me because introducing many constrictions reduces the constricting. It's an odd irony (:
The poet can start with a free-verse poem and break up parts into form. This can expand or reduce the poem.
Try to use forms from different classes to increase the form variation. For example:

Variated: (Limerick - Clerihew - Limerick - Haiku - Sonnet). These are from different classes.
Not variated: (Haiku - Renga - Tanaka - Tanaka - Senyu) OR (Rondel - Rondeau). These are from the same classes and have similar form structures.

Start with the form in mind
I believe this to be the most difficult way to approach this task. In this method, before the idea comes, the poet already decides on the form: I am going to write a four-leaf alternating Etheree. The poet could be less specific.
This method serves to instill discipline on the poet. This is why I recommend it be used when learning about the forms. It could also be employed in poetry challenges and for other academic purposes.

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