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In writing in general, there are discovery writers and outliners, planners vs. pantsers.
I am very curious to know how screenwriters create screenplays.
Do writers start with a basic plot and then add the scenes and arrange them, expanding on the plan? Or do they have a very very tiny basic plot and write the scenes in a more freestyle way?
Is planning/discovery significantly different when the goal is a screenplay instead of a short story or novel?
One reason I wonder about this is that a screenplay is meant as a collaborative tool, while a novel/short-story is the finished product.
Is more planning needed if more people will be involved, and because the goal is a fixed amount of pages/minutes? Or can you "pants" it, and then use the editing/collaboration time to bring things into focus?
(2)More posts by @Gonzalez219
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Whether to outline a story thoroughly or not at all is a question that's been asked for a long time. But some general information may help.
If you're writing on your own, you can write however you like. There's no reason you can't just start typing a screenplay and, when you're done, edit what you've written into shape.
There are a couple of advantages to outlining. You'll get a more cohesive script in the end and you'll work more efficiently. While some writers are able to outline every detail and only then write, others find this to be a bit of a straitjacket. There is no single method that applies to all writers, and you'll have to find the answer that best suits you by trial and error.
It does not matter what you write, or in what format or genre--you tend to be either more of a plotter or more of a discovery writer. It is never only one or another, but rather a combination of both. The percentage, however, is different for each and every one of us.
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