: Print runs, unsold books, books by weight and do authors get some compensation for unsold? I got couple of good definitions of the traditional Print run. One of the disturbing things mentioned

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What that definition of "print run" is missing is the actual printing cost. There is a huge cost of setting everything up to print let's say a 200 page book. If you print 10,000 books, the first book costs an enormous sum of money; the other 9,999 are dirt cheap.

So if you estimate you can sell 6,000 books, and print 6,000 books, and you sell them all and realise you could sell 2,000 more, printing these 2,000 will cost you almost as much as printing 6,000, and printing 6,000 plus 2,000 will cost you as much as printing 15,000 in one go. That's why you will always print a lot more than you think you will be selling, because its much cheaper to have too many printed than not having enough printed.

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Another possible route to market for books unsold by the publisher is that they get remaindered, which means that unsold stock is sold cheaply and in bulk to merchants who will try to sell on through bulk discounters, possibly in third world countries.

For the publisher, the alternative is often to pay storage fees at a distributor or pay for the books to be pulped. Pulping often involves book materials being put to uses that you wouldn't guess at, incidentally.

There is unlikely to be a royalty payment for the author for such sales, as they are often below the sunk cost of the product (printing, distribution, storage).

eBook sales to libraries are often at a considerably higher price than retail. Bearing in mind that an eBook with an official retail price of £25 can sell to a retailer for half of that, it might be sold to a library with a "30 simultaneous borrowers" agreement for a high multiple of £25. I've seen multiples ranging from x2 to x20, and library prices of over GBP 1,000 for an eBook (of which an author would get their contractual royalty share, of course).

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