: Re: The protagonist can't defeat the antagonist without the antagonist being stupid What should I do if my story's plot is built around the antagonist being extremely strong, and by the end it's

If you're set in the late twentieth century you have the advantage that unexpected stealthy offense is much stronger than defense. Consider what happens if the antagonist is assassinated. Does his cause fall? If so, it would be worthy for the protagonist to hire an assassin with no scruples and equip said assassin with appropriate weapons.

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: For publishing negotations I would like to know what a publishing company makes in profit? I did a little research but blogs are never enough. I would like expert advice or even sample contracts

@Nimeshi163

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: Are there copyright concerns writing about fantasy elements other authors have used? I am wondering if there are any copyright concerns when writing about elves, dwarfs, wizards, clerics and the

@Nimeshi163

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: How to portray a passively arrogant character? How can I portray a character who does not actively seek attention, but is still vain and self-superior? Since I don't know how much information

@Nimeshi163

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: Does the concept come before other "literary devices" in philosophical science fiction? I have read in a few books about writing science fiction that a compelling concept should override considerations

: Re: The protagonist can't defeat the antagonist without the antagonist being stupid What should I do if my story's plot is built around the antagonist being extremely strong, and by the end it's

More posts by @Nimeshi163

: For publishing negotations I would like to know what a publishing company makes in profit? I did a little research but blogs are never enough. I would like expert advice or even sample contracts

: Are there copyright concerns writing about fantasy elements other authors have used? I am wondering if there are any copyright concerns when writing about elves, dwarfs, wizards, clerics and the

: How to portray a passively arrogant character? How can I portray a character who does not actively seek attention, but is still vain and self-superior? Since I don't know how much information

: Does the concept come before other "literary devices" in philosophical science fiction? I have read in a few books about writing science fiction that a compelling concept should override considerations

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