: How to head off a legal reading of a term or phrase? I posted this over on the Eng Lang Stack, but they say it likely is more apropos here. Terms like 'make whole', 'encumbered', etc have

I posted this over on the Eng Lang Stack, but they say it likely is more apropos here.

Terms like 'make whole', 'encumbered', etc have both non-financial/non-legal usages and financial/legal usages and, in some cases, explicit financial/legal definitions.

To avoid technical connotations, to avoid the possibility of a sentence being read as a legal statement, an obvious workaround is to swap in such a synonym. But synonyms may not exist, or when one does exist, the sentence may unacceptably degrade.

Another remedy is to include a phrase such as 'colloquially speaking'. But the deprecation could be inappropriate.

What are other ways to minimize the chance of a sentence from being misconstrued in this way? Is there an adjective or modifer that accomplishes this?

Fictitious examples:

A divorce can make whole both parties. (google: "make whole" divorce. For example: www.divorcecentral.com/lifeline/life_ans.html. Make Whole in the sense of closure, in the sense of getting on with their lives.)

The VA is a monopoly on veteran healthcare. (This sentence was spoken a few minutes ago by Senator Lindsey Graham at his Town Hall, see

at about 40:00. Monopoly in the sense the Veterans Administration is immune from competition.)

EDIT:
Context is non-fiction, formal.

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: How to head off a legal reading of a term or phrase? I posted this over on the Eng Lang Stack, but they say it likely is more apropos here. Terms like 'make whole', 'encumbered', etc have

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: How do I write a maze as a story challenge? I want to have a character who expresses her love of adventure by exploring old maze-like ruins, and thought it would be interesting if she figured

: I don't know of any well established method for doing this, and after a little searching I've come to suspect that there probably isn't one (though somebody else is free to correct me if

: Is there a widely accepted standard for representing simultaneous ongoing events in a screenplay? Let's say I'm writing a scene where Arnold and Jo are arguing over whether to go out tonight

: Is my book interesting and my writing eloquent enough? I'm young and this is my first attempt at a book. Comment here or on the document itself, it doesn't matter to me. https://docs.google.com/document/d/16MXV41o324ZYMPjvRQ

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