: Re: How to describe complex shots in spec script? I know we must be lean with these, to keep scenes legible and flowing, but I absolutely have/need to describe certain (quite complex) shots in

You don't always have to use the technical terms; even Tarantino and Sorkin don't. Just say:

We see a close up of animal skin, we can see the texture and fur. The camera pulls back to reveal the whole animal, then further back to reveal a MAN standing nearby. This is a continuous shot.

What matters more than technicality is story, bar none. If your story is good, and well told--like you said, lean, concise--then they will look past the technical deficiencies.

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: Re: How to describe complex shots in spec script? I know we must be lean with these, to keep scenes legible and flowing, but I absolutely have/need to describe certain (quite complex) shots in

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: Is it a good idea to write a non fictional incident from a first person perspective I want to write about a historical incident. So, to make it more appealing to the reader, I want to write

: How to write a character that isn't who they claim? I am currently writing a character that isn't who they claim to be. This character's true identity and affiliation will become known in the

: Is writing in fragments bad practice? Occasionally, it feels easier to write individual scenes of a prose and later connect them somehow. Does this method have any significant benefit and/or throwback

: Where to put statistical signifance test results Iâ€™m writing on my master thesis/dissertation and performed Chi-square tests to my check for statistical significance. I'll present the results of

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