: Re: Making the death of background characters sad The problem with killing off a background character is that their very modus operandi eliminates the most effective advice, because they don't have
+1 Thomas. Another trait that works in film: Make the BG character a young and attractive adult female. It exploits an unfortunate trait of human psychology, we subconsciously value young and attractive adult females much more highly than others.
That said, young children are even more highly valued.
Another thing, related to what Thomas has, is giving them a few "hopeful" lines. Give them an aspirational future before you take it all away! This can be done pretty quickly with a few paragraphs of dialogue. For example, the young college kid working his way through pre-med as an Uber driver, tells his fare he just got his full scholarship to the state medical school and still can't believe it! Drives his fare to his destination, his fare kidnaps him for use in a live sacrifice Satanic ritual.
More posts by @Welton431
: Well, you are going to have to start asking yourself questions and provide answers. Why do men exist? In your premise there is absolutely zero role for a male, and if God created women in
: In the context of experiencing a story, character-driven and plot-driven mean very little. It is only during the writing process that these terms have any importance. In a character-driven story,
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