: How to write a backstory in a way that the reader can form their own unique conclusions I have this one idea for a dark fantasy/Lovecraftian horror story in which it primarily focuses on the
I have this one idea for a dark fantasy/Lovecraftian horror story in which it primarily focuses on the protagonist adventuring in a time much, much later than when relevant backstory events took place to the point where everything to do with the past is convoluted. Yet instead of having the backstory revealed plainly to the protagonist as the story progresses, I want to present it as a puzzle that the readers themselves have to piece together to form their own interpretations without simply taunting them with obscure, irrelevant details that make little sense.
What would be the best method to pull this kind of storytelling off?
More posts by @Ann1701686
: Retelling old stories I have read this similar question but it does not really address my question. What if I want to write a novel or a short story that is inspired by (or outright a retelling
: Simultaneous Bilingual Writing I have recently undertaken a personal project to translate my WIP novel into Japanese in parallel with writing it. I am managing both in LaTeX and editing them
2 Comments
Sorted by latest first Latest Oldest Best
I've come to feel that at least half the questions on this site, as different as they are on the surface, all have the same answer: Fully work out all the details of your backstory, richly imagine it, make sure it makes sense, but then only include in the actual book the pieces that are necessary to the narrative as it unfolds. In this case, however, as I understand it, there are two additional wrinkles. You want enough of the backstory that the reader can gain an apprehension of it, but you don't want the characters to also figure it out.
I would advise caution --it would be easy to deform your story to the point of unreadability in pursuit of a goal like this --I've seen it happen to books. Your best bet, I think, is to make sure that a) the backstory is relevant to the current events, so that it shows up organically, without being shoehorned in and b) that the characters don't put the pieces together because they are interested in other things --maybe they have more pressing concerns, maybe they aren't history buffs, maybe they all know the backstory already and just take it for granted (probably the choice with the best chances of success).
If the characters are pursuing the backstory, if all the hints are in the book, and if the characters still fail to figure it out, that's just going to feel like a cheat. Alternately, you might have one character figure it out, and just not share the answer explicitly with the reader, leaving it as a soluble puzzle. Even better advice, however, might be to do as Tolkien did: Leave the backstory out of the book (except as needed) and just continue to mine it for additional books later.
This looks like a detective story. You give your readers clue after clue, and little by little they build an understanding of what has really happened.
You case is a little different, because, as your said, the backstory happened a long time ago, and protagonist can not affect it in any way. But maybe he is actively working on revealing pieces of the backstory. For example, there is a number of works where protagonist(s) is/are searching for the Grail, and the backstory is how the Grail ended up where protagonists should finally look for it.
In either case, your clues should mark a discovery trail for the reader. Each new backstory clue should be expected with impatience, and be a little surprising. You can mark "red herrings" and plot twists as you like.
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.