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: Re: How to make stock death speech great again? So, Character d is dying, he got shot in the side with a Pulse Rifle. This is very bad, as Pulse Rifles are in the laser category and
I will give the same answer as any time you run into something ruined by constant reuse in media.
If you can't avoid it lamps shade it, Call attention to how a real life event has been made chiche by the media
"The bastard could not even say anything original in his dying words"
or have him say
"I am cold, it's just like they say it happens"
This makes the audience stay with you, and that's really all you ever need.
Also most important to not have any emotional moment be a groan, don't try to force feelings where there are none. If this is a character that was around for 5 minutes, just let them die in a couple of sentences and move on. The first Hunger Games movie is a great example of doing this wrong.
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: Bending the rules of the english language for effect; sentence fragments and run-ons I believe it is a time-honored tradition, in fiction, to bend rules for a literary effect. I'm printing a
![Kaufman555](https://selfpublishingguru.com/images/player/000default.jpg)
: A short addition to these answers, because I thought your original ideas in another question were already very nicely developed. But today I was considering the mythology and religion on my
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