: Re: How do I format dialogue for an AI chatbot in a screenplay? In my script, there is an AI chatbot character - ANNIE - that real characters communicate with via text. ANNIE has animated reactions

The biggest limitation of most modern chatbots is only replying to the last message stated. They can give great responses, that seem funny or clever, but only to the last sentence said.

So when you write your AI don't look at the conversation as a whole. Look at the last sentence ignoring the conversation and reply to just that. Also don't forget that your replies should know this limitation, and do their best to give generic answers and hide the fact that the AI does not know what you are talking about.

If all else fails, why not try having your dialog with a real chatbot?

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: Re: How do I format dialogue for an AI chatbot in a screenplay? In my script, there is an AI chatbot character - ANNIE - that real characters communicate with via text. ANNIE has animated reactions

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: Quotation from one language into English â€œOne should try to invite people from this world to eternity, from sin to obedience, from greediness to asceticism, from jealousness to generosity, from

: I have just found the notes from my teacher that help to summarize the question like this. A story always comes from a conflict or a problem. That said: Character driven: the problem rise

: What is Writing/Editing Backwards Really? I'm curious to know because I was thinking that when people say this, I'm thinking they start editing the last chapter of their work to the first, and

: Double spaces in paragraphs for publishers? I was once told by a former writing partner of mine that publishers require paragraphs in stories to be separated by double spaces to be submitted.

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