: Re: Are there any theaters that are receptive to manuscripts for monologues from the author/performer? First, a caveat: I am only the author of the "play" in question in a sense of the word; since

Generally a writer or actor or writer/actor is not going to enter a relationship directly with a theater. You really need to fill two other important jobs, at a bare minimum:

Director
Producer

You might be able to get away with being your own director, but the big danger is that you'll have no other voice looking at your writing and acting and helping you hone it and make it as good as it can be.

The fact that you have this question about getting into theaters means you do not have the knowledge to be a producer. You want to find a producer for your play and they will know how to get it onto a stage.

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: Sorkin: "Dialog is music" - In what way(s)? I recently watched Aaron Sorkin's Masterclass on screenwriting. One frustrating section of it (overall it's quite good, IMHO) is about dialog, and Sorkin

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: Is there a tool for determining the number of on in a word for the purpose of writing haiku? In America at least, Haiku are commonly taught to students as poems having 5, 7, then 5 syllables,

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: Can I use my legal name as the protagonist if I'm pitching my book to traditional publishers under a pen name? Can I use my legal name as the protagonist if I'm pitching my book to traditional

: Re: Are there any theaters that are receptive to manuscripts for monologues from the author/performer? First, a caveat: I am only the author of the "play" in question in a sense of the word; since

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: Sorkin: "Dialog is music" - In what way(s)? I recently watched Aaron Sorkin's Masterclass on screenwriting. One frustrating section of it (overall it's quite good, IMHO) is about dialog, and Sorkin

: Is there a tool for determining the number of on in a word for the purpose of writing haiku? In America at least, Haiku are commonly taught to students as poems having 5, 7, then 5 syllables,

: Should I repeat character descriptions if a character reappears the second time too far into the story? Should I repeat character descriptions if a minor character reappears the second time too

: Can I use my legal name as the protagonist if I'm pitching my book to traditional publishers under a pen name? Can I use my legal name as the protagonist if I'm pitching my book to traditional

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