: Re: Early investment in a character who "learns better" I'm looking for ways to build early reader investment in an unlikable character who "learns better," but not until fairly late in the book.
What positive character traits does your MC have? Surely he isn't all bad, a one-dimensional caricature of schmuckiness?
Consider: in The Three Musketeers, d'Artagnan beats his servant (and Athos threatens his with a pistol), d'Artagnan rapes Milady (after Athos attempts to murder her, and before the four finally "execute" her), the main plot has the team assisting treason, and that's just off the top of my head. But we're still rooting for the Musketeers, because they are brave, because they are good friends to each other, because they often act selflessly and with integrity.
If your MC has redeeming qualities, if he is compelling despite his flaws, I believe readers would stick through with him.
In fact, consider Lolita: Humbert Humbert is a thoroughly despicable child molester. But he is witty and smart, and apparently that is compelling enough for readers to stick with the novel and consider it a masterpiece. Lolita is narrated in first person, like your novel. If your last paragraph was correct, surely a child molester would have been far more repulsive than a racist? If racism is a "hot button", surely child molestation should be more so?
Consider, therefore, making your MC's inner monologue more engaging, more interesting. Make it so we'd be curious to hear what your MC has to say, even if we disagree with him.
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