: Re: Need advice about changing character's gender I had this idea for a story/novel that I was very excited about, but also very worried about. The idea had a plot where the character development

Why worry about what some might think if changing the gender of a character damages your story. Write it as you want it and, provided you donâ€™t hit people over the head with a 2x4 when it comes to gender and orientation, most should be fine with it.

You are writing the story you are writing, so write it.

I remember reading a book where the characters were homosexual and, until the author hit me over the head with it, I was enjoying the read. Make it part of who they are, but not who they are and you will be fine.

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: Peaks are defined by the space in between People, as a general rule, are much better at comparing things than they are at measuring absolutes. That's why we don't measure pain in kilo-ouches,

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: Can the Final Draft 11 software handle foreign screenplay formats? I am considering buying Final Draft 11. Of special interest to me is that this version can handle 95 foreign languages, including

@Sue2132873

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: You do it by limiting the narrator's gaze. You can describe things from the point of view of one or more characters, who haven't yet figured out the secret identities of the celebrity characters.

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: Does this scene fail the Bechdel test? My novel has approximately a dozen women in it, but they donâ€™t tend to talk to each other. Most of them are separated geographically or philosophically

: Re: Need advice about changing character's gender I had this idea for a story/novel that I was very excited about, but also very worried about. The idea had a plot where the character development

More posts by @Sue2132873

: Peaks are defined by the space in between People, as a general rule, are much better at comparing things than they are at measuring absolutes. That's why we don't measure pain in kilo-ouches,

: Can the Final Draft 11 software handle foreign screenplay formats? I am considering buying Final Draft 11. Of special interest to me is that this version can handle 95 foreign languages, including

: You do it by limiting the narrator's gaze. You can describe things from the point of view of one or more characters, who haven't yet figured out the secret identities of the celebrity characters.

: Does this scene fail the Bechdel test? My novel has approximately a dozen women in it, but they donâ€™t tend to talk to each other. Most of them are separated geographically or philosophically

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