: Re: The problem with beginning I don't mean "sitting down to write", I mean the literal beginning. The story itself starts with my protagonist running. I need to get him to run, then I'll have
The opening lines generally set the tone of the book. Why are you starting with your protagonist running? Is that the theme of the story, are they running away from something physical or emotional?
Take the first line from Pride and Prejudice:
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife"
That is indeed the main motivation of Bingley, Mr Colins and even Darcy and Wickham. It's also the preoccupation of (most) of the female characters. The opening line sets the expectations of the reader for what is going to follow.
So my answer is to think about the overall theme of your story and write a beginning that informs the reader of the journey they are about to embark on. The art is doing that without being blatantly obvious about it.
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