: Re: My story is written in English, but is set in my home country. What language should I use for the dialogue? I'm an amateur writer from the Philippines. I am writing a novelette for an

In general, if writing for an English speaking audience, the dialog should be in English. A few short passages in another language, with a translation or at least a summery in English can work, but often it is better to simply describe the characters speaking in a different language. If the other language is one which a significant fraction of your audience might be able to at least puzzle out a few words, including it may give some flavor.

It is not uncommon when a character's native language is different from that of the rest of the cast, to lightly sprinkle dialog with words from that character's native language, particularly exclamations, where the exact sense is not vital to understanding of the story. Early Agatha Christie had the character Hercule Poirot exclaiming "Mon Dieu" or 'Sacre Bleu" or the like every few pages, and even that was probably too much.

I recall one early Peter Whimsy story (by Sayers) "The Entertainign Episode of the Article in Question" which included about three or four pages of untranslated dialog in French, overheard by the viewpoint character. This turned out to include the vital clue -- an error in French grammar which revealed that a character was actually a male disguised as a female. Apparently Sayers expected most of her audience to have learned enough French that this would work for them. I wouldn't advise such a passage in a current English-language story.

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: Re: My story is written in English, but is set in my home country. What language should I use for the dialogue? I'm an amateur writer from the Philippines. I am writing a novelette for an

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: Should I signal completion of a decision point in an interactive novel? In my visual novel (an interactive, narrative-based video-game), I have a detective character who decides whether he believes

: Nanowrimo and typewriting I am a happy user of an Underwood 5, an old typewriter from the beginning of the XX century. I use it to type letters, short stories, greeting cards, and labels.

: Does it really serve a main character to give them one driving want? I often feel that we fall into a trap of believing that we must provide a driving goal for a main character at the outset.

: What is the structure of a paranormal horror story? Building on the definition of a Paranormal Story (as opposed to Dark Fantasy) described in the answers here: What are most common tropes of

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