: As an observation, sentences are typically embedded in paragraphs. If there is an (potential) ambiguity, I might add a reaction sentence to the paragraph, such as, "The sister, Mary, sputtered

@Samaraweera193

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As an observation, sentences are typically embedded in paragraphs. If there is an (potential) ambiguity, I might add a reaction sentence to the paragraph, such as, "The sister, Mary, sputtered in shock." Or screeched, yelled, threw a hay-maker, quoted an obscure Latin phrase, or anything else keeping with the assaulted sister's character.

Unless the reader is analyzing the text word by word, the flow of the material should carry the reader along so quickly that the (potential) ambiguity is disposed of before it is even recognized by the reader. If the story and the characters are good, the readers will forgive such minor vaults, if they ever notice them. My advice is to focus on delivering quality in those areas and not tie yourself in knots over subtle points of grammar. Most readers will recognize that that the story has given them pleasure. A few readers will seek to find fault; no amount of analysis, refinement, or quality will stop them from finding something. Focus on those readers who are having a good time, not those who are focused on giving the writer a bad time.

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