: Re: How to write an inversion of a messianic trope? I want to do a story revolving around the inverse of the Christian tale in the bible. In it, the savior sent by God is tempted by the adversary,

This is super easy, barely an inconvenience.

Have a world with multiple multiple demons/devils all pretending to be a god and trying to gain power over each other by gaining followers. And they all tell lies to the humans trying to convince them that they are the true god, as their goal is to gain followers and power. So when the agent of one demon gets tempted by another demon, it can be written in exactly the way you want.

Another bonus is, you are not actually offending any particularly faith. It becomes a fantasy novel about an alternate world, of demons pretending to be god for their own power and glory.

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: Frodo had a happy ending. He stopped apocalypse, saved his friends, his people and the world, and then gained admission to the Undying land. Tony Stark in End Game is a happy ending.

@Megan928

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: Should I include an appendix for inessential, yet related worldbuilding to my story? I'm of the opinion that a story should stand on its own; any worldbuilding that is necessary for the plot

@Megan928

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: Is there a writing style I can use to show "the result that appeared is contrary to the expectation"? I'm wondering if there is a English writing technique or style I can use to show that

@Megan928

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: Is a new paragraph line needed in dialogue when a character responds with actions? For example: "Move!" I immediately side stepped him. OR "Move!" I immediately side stepped him. I know a

: Re: How to write an inversion of a messianic trope? I want to do a story revolving around the inverse of the Christian tale in the bible. In it, the savior sent by God is tempted by the adversary,

More posts by @Megan928

: Frodo had a happy ending. He stopped apocalypse, saved his friends, his people and the world, and then gained admission to the Undying land. Tony Stark in End Game is a happy ending.

: Should I include an appendix for inessential, yet related worldbuilding to my story? I'm of the opinion that a story should stand on its own; any worldbuilding that is necessary for the plot

: Is there a writing style I can use to show "the result that appeared is contrary to the expectation"? I'm wondering if there is a English writing technique or style I can use to show that

: Is a new paragraph line needed in dialogue when a character responds with actions? For example: "Move!" I immediately side stepped him. OR "Move!" I immediately side stepped him. I know a

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