: Re: How can I successfully change main character half-way through the story? I write short stories in Chinese, and give a new page to my teacher to correct every few days. This is the story I'm

@Kimberly114

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It's not usually the protagonist, but there are many stories where our preconceptions about a character are challenged. It's more common that somebody turns out to be the bad guy instead of the good guy, but the other way around works too. Often, it's more complex and the reveal is just about providing a different backstory from the one that was implied. Examples of prominent characters are Snape in Harry Potter or Amy in Gone Girl. For more examples, TV tropes calls this "Evil all along" and "Good all along" (although none of the examples concern point-of-view characters).

As for how to accomplish it, I would say the twist is the easy part. You just insert a break (***), and start afresh, as though you're beginning a new story. Let the reader slowly realize that they're seeing the same thing they've read, but from a different perspective, and then retell the story. In all the examples I can think of, this seems to be the approach. It sets up an interesting mystery, gives the reader time to adjust mentally, and then starts laying out the new narrative step by step. Make sure to take it slow, so the reader has time to mentally compare the first and second versions.

At the risk of going off-topic, I think the first half is the more challenging part of the story. Having an unsympathetic main character who behaves unpleasantly without reason makes for a grating read. The odd behavior is meant to set up a mystery that will pay off in the end, but the more likely outcome is that people will take it as bad writing and never make it to the twist.

Since the whole point is that the husband's behavior is a representation of the wife's chaotic mental state, his behavior has to be unmotivated and irrational, which makes him a poor POV character. He could still be the main character, seen through someone else's eyes, but that suggests sticking with the wife's POV all the way through the story and creating the reveal some other way; perhaps by flashing back to the time before his death, or by introducing some event that forces the wife to face her delusions (cf. Fight Club, Sixth Sense).

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