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Topic : In fiction, what is meant by phrases such as "his eyes flashed anger for a moment"? I've read a lot of such phrases, but that one in particular doesn't make sense to me. Physically, what - selfpublishingguru.com

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I've read a lot of such phrases, but that one in particular doesn't make sense to me. Physically, what is supposed to be described here? How long is the moment? I've personally tried to make my eyes "flash" as quickly as possible and it's not nearly so quick. Perhaps I am unique in my lack of abilities, but most of the time when I read this in fiction I get the impression that the expression is so fast as to be just barely noticed.

Perhaps a better question is: what is a more descriptive way to explain this act in fiction writing?


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Eyes flashing/glittering/sparking, etc. with anger is an attempt by authors to describe the way emotions show behind a person's eyes. Ever heard that old cliche "the eyes are the window to the soul"? It's because somehow you can often "see" some bit of the person's essence/emotions in their eyes. It's why one of the things people say makes it immediately apparent someone is dead is that "their eyes are lifeless."
It is VERY difficult to describe using physical context words exactly what it is we see in another person's eyes, and how sometimes you can just TELL what someone's emotional state is largely by the look in their eyes. What seems to resonate the most is that description of there being a gleam, or a glitter, a spark, or a flash of something in the eyes, hence why it has become a cliche in writing, as authors have said "hey, that description actually gives the impression of the phenomenon I'm trying to evoke an image of" they've stolen the wording, and now EVERYONE uses it.
In fact it is overused, because it is so short and easy to drop in and move on. People often default to that description as a way of telling you how another (usually non-POV character) is feeling without having to work at finding a more accurate phrase, even when in context what the character is feeling might be better displayed by some more obvious physical cues.
"Eyes flashing with anger" is a perfectly legitimate phrase, BUT it should probably be reserved for situations where it is actually appropriate. After all, though that little glitter of anger in the eyes may be there whenever someone get angry, it is not USUALLY the thing that clues you in. Especially because you may have to be especially observant or know the person really well to even notice it. Usually what tells you someone is angry is more direct physical cues like facial expressions, body posture, etc.
Some examples when you may wish to use this phrase: a) when your POV character is already looking directly into the eyes of someone they know well and therefore notices it before any other cues or b) the person who is angry is SO good at concealing their emotional response that the emotion behind their eyes when they first begin to feel angry is the only evidence of how they are feeling (and the term "flashed" usually implies they manage to stifle that initial reaction quite quickly as well). In this instance your main character must be observant enough to pick up on it; a less aware character may get a "sense" that the person is angry but not know why.


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Eyes flashing anger can happen when the person observes or hears something (or someone) who's purposely or unwittingly created a situation which affects another - to the point of anger. That anger can manifest physically through the eyes and face, while the body stays still. Sometimes "flashing eyes" also include a grimace, smirk or jaw tightening as well. It can either happen "in a flash" and be over, OR, it can happen suddenly and be sustained leading to an angry show down. It depends on what the writer intended but the phrase normally is used to show a certain amount of restraint on the angry person's part and is also used to suggest being volatile but not to the point of being out of control. That being said, it can suggest at least in some readers minds; beneath this cool exterior there lies a beast waiting to pounce at a more opportune time. The character could be the good guy or the bad, but nevertheless, a vengeance to be exacted...


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An image is worth more than a thousand words.

"Eyes flashing with anger" is the very last part of this sequence. It is usually quicker and less dramatic than this, but this image is good to illustrate the concept.


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Taking this phrase at face value, I'd assume that the area surrounding the character's eyes (and not just the eyes themselves) show a very brief sign of anger that the character then manages to get back under control.

This is called a micro expression and lasts about 1/5th of a second: en.wikipedia.org/wiki/Microexpression
In the case of anger, for this brief instance, you'd see one or more of would be the following facial muscle movements:

eyebrows lowered and drawn together (in a V shape)
vertical lines between the eyebrows
lower eyelids tightened
upper eyelids raised
directly staring at the other person

You could try to come up with a more descriptive sentence based on these. The "tightened eyelids" ("narrowed eyes") are probably understandable enough as well as the "lowered eyebrows" or the "vertical lines between the eyebrows".

Describing the quickness of the emotion might be trickier. You could say something like "he put on a placid smile again" or "but when I blinked, he looked as composed as ever".


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Regarding intentionally trying to make your eyes "flash" an emotion, that's actually very challenging, as emotional indicators on our faces can be quite subtle and difficult to fake. When we notice really subtle cues like this, it often is very quick and subconscious. This is one of the cases where speaking more directly to emotional context rather than describing the physical actions makes a lot of sense, because what you perceive in a situation like this is directly the sensed emotional context. In particular, in a case like this, the fact that you only see a flicker of anger gives the additional context that they are trying not to openly broadcast it. Describing a more overt physical reaction that expresses being angry changes the scene significantly.


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“His eyes flashed with anger for a moment” simply means the character looked angry for a second. Perhaps he immediately realized an interruption was important or he regained his composure in a tense situation.

It is NOT bad writing and is certainly not telling rather than showing. “Show, don’t tell” is a reminder to avoid simply saying something exciting or interesting happened without describing it, like “John had a very difficult time making the dangerous crossing at the river and nearly drowned at one point.” Or “Mary spoke very persuasively at the meeting and convinced the town council not to demolish the historic library.”


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I narrowed my eyes at someone once, and only once. It was an unconscious reaction, but I was fully aware of doing it. It was quite a strange experience and I left feeling embarrassed knowing that I am instinctively subject to the human condition.

The phrase alone means nothing. I need to know what happened after. Did their 'expression soften' (they repent) or did they 'regain their composure' (resume tactically guarded body language) ?


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Writer At Work

With the phrase...

"...his eyes flashed anger for a moment”

...you've stumbled upon "The Writer at Work".

Which means that the writer has interrupted your reader's reverie by choosing a phrase that cannot be "seen". It jars you from the story itself and is intrusive.

This is why writers often repeat the old adage, "Show don't tell."

This "eyes flashed with anger" has become a cliché, not a descriptive showing of what is actually happening. It is a shortcut that a writer has used (and now many writers copy) to tell the reader that "The character was angry but is trying to hide it."

It is far better to show the action as if you saw it happen on a movie screen and then wrote it down. The best way to do that is:

1) determine what you want to show - in this case we want to show a character becoming angry but attempting to hide it from one or more other characters.

2) imagine how an actor might portray it on screen in a movie

Now, how about this.

His boss said, "Well, if you weren't so stupid, maybe you wouldn't
have lost the sale."

Wesley turned his face away from his boss and
stared at the cubicle wall. He held his breath and gritted his teeth.

Then he turned slowly back around. "I'll do better next time, boss."

This is showing the anger happen, not telling the reader what they should think is happening. It is far more powerful because the viewer/reader gets to decide what is happening.


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