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As I mentioned on the "passion project" question single data points don't mean much by themselves - if one of your multiple beta readers says something, then in the absence of any particular reason to give their opinion more weight it's probably of little consequence.
While there probably as many people bemoaning use of present tense in "adult" novels as there are people writing in it (and that's a good many of both), like many technique choices it's a tool and the difference between getting the choice "right" is more matter of choosing the right tool for the job. The different tenses all have their pros and cons and the story and what you're trying to achieve by the use of the particular tense should drive it.
A bad novel written in the present tense is going to be bad if you write it in the past tense as well. Writing in the same story in a different tense can certainly ruin it - but it can't save a bad one.
Present tense has certainly enjoyed a relative wave of popularity in recent years, perhaps driven by the wide reaching successes of The Hunger Games, Fight Club and The Time Traveller's Wife to name but three - but it's not a new innovation - Dickens' Bleak House is an example dating back over 150 years ago. And perhaps much of the backlash is built upon the large numbers of people who have used it unwisely - attempting to imitate what Hunger Games etc did without understanding why it worked for the books they are trying to ape.
Present can bring a certain sense of immediacy to the action, it can intensify the emotions of the moment and couples well with a Deep-POV. But this comes with a cost - the flipside is that you narrow the scope, it can feel like you're watching the world through a camera viewfinder with the zoom turned up. It's easy to get lost in mundane details and you either greatly restrict or outright lose a lot of narrative tools, time shifts are awkward and it's difficult to convey stories that play out over longer time frames.
What also cannot be ignored is good old human bias - there are readers out there who hate present tense, to the degree that they will abandon a novel as soon as they discover it's written in it. In this sense past tense is very much the "safer" choice.
So ask yourself - what does the use of present tense bring to my story? if you don't have a compelling answer to that you may want to re-evaluate.
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