: Re: If I remove the capacity for one of the primary flaws, is it inevitable I end up with a boring character? In this world, there are mortals (human beings) and divine beings (gods/goddess). The

Think about Asimov's Laws of Robotics that make them perfectly safe and predictable, but then has stories where they mess up in "unexpected" ways. IOW, he predicted computer programming.
Your character is affected by his mortal form. This includes limited knowledge and capability, and perhaps his learned behavior does not follow due to changes in assumptions; e.g. broken bones and general mortality will now affect his decisions in ways they did not matter before.
How is the new feature of personal damage, to the point of being un-recoverable, going to weigh in on the decision? This was never a concern before, so he may be paralyzed not knowing how to understand personal risk.

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: Citing quotes/footnotes In my memoir, I use several quotations. In the text I note who said them: e.g., "As author and diplomat Washington Irving, having mourned a fiancÃ©e and a brother,

@Nimeshi163

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: Should I rigorously follow 15 beat structure for writing my novels? I am a novice writer with one novella published on Amazon. Recently I undertook a MOCC on Udemy called Write a Bestselling

: Re: If I remove the capacity for one of the primary flaws, is it inevitable I end up with a boring character? In this world, there are mortals (human beings) and divine beings (gods/goddess). The

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: Citing quotes/footnotes In my memoir, I use several quotations. In the text I note who said them: e.g., "As author and diplomat Washington Irving, having mourned a fiancÃ©e and a brother,

: Should I rigorously follow 15 beat structure for writing my novels? I am a novice writer with one novella published on Amazon. Recently I undertook a MOCC on Udemy called Write a Bestselling

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