: What books should I read before writing a non-humanoid point of view story? I know there are some great books told by animals: i.e Black Beauty or White Fang. I want to write a good story
I know there are some great books told by animals: i.e Black Beauty or White Fang.
I want to write a good story told by a traffic lights.
But I need a good example.
Are there another books told by animals? Or maybe even from some lifeless object point of view (that would be most interesting)? What makes these books successful? What common traits could I use to create my own successful story?
More posts by @Courtney562
: Tools for generating characters' names I found this name generator: http://www.fakenamegenerator.com And I'm wondering if maybe there are others? Has anybody found this kind of tool useful? What
: Is there a resource where I could find myself a checker and critic, or check somebodies else text to exercise? I need a checker and some kind of beta-test editor and critic. Is there a resource
1 Comments
Sorted by latest first Latest Oldest Best
The tricky act to walk with telling stories from a non-humanoid perspective is that of combining the traits your readers expect from that animal or object with the traits readers expect from a narrator. With animals this means getting inside the {dolphin|wolf|horse|whale}'s head. It means knowing that a horse lives life poised between flight and fight. It means knowing that dogs and wolves sleep much less deeply than humans. It means using all the animal science available. It also works best with more intelligent animals. Examples would include:
Animal Farm - in which the animal's un-human traits serve to illuminate the author's view of communism
The Art of Racing in the Rain - in which a man has unbelievably (perhaps literally) bad luck, but his narrator dog still wants to be a man
The Servant, a Dog - in which a friendly dog is the narrator and the author attempts to actually mirror the dog's thought processes
The Redwall Series - in which animals basically are the humans
A list with more
And another
With inanimate objects you have a bit more freedom, because you are creating a personality and intelligence level for something people have fewer preconceptions of in terms of personality. At the same time, there is a reason many books with inanimate narrators are written for children - it's hard to make this completely believable. Sometimes a third person omniscient narrator might step into an object (for example, something watching a changing world throughout centuries), but other than that you don't get a whole lot of examples for adults. When they are used in literary fiction for adults the purpose is often mostly to make a point about the human characters or the readers.
I, Doko: The Tale of a Basket - a children's book in which the basket serves to show family life around it
The Autobiography of a Lump of Coal - in which the lump of coal is used to show the capacity for human empathy and a panthestic view of the divinity of all nature
The Story of my life / by a Submarine Telegraph - a thinly veiled homage to the author, the inventor of the submarine telegraph, which teaches about how it works
Scepticism, Inc - contains some narration by a shopping cart who is looking for God designed to make people think about their religion
The Collector Collector - a 6,500 year old Mesopotamian bowl serves as the narrator, which allows all sorts of intimate details about the characters to unfold, since nobody minds what they do in front of a bowl
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.