: Re: Techniques for creating variety in prose When I write my short stories, I usually end up using a direct style as follows: Tim remembered the day he had to say goodbye to Cathy. He did
I agree with you. There's nothing wrong with that direct style. I even prefer it over the indirect/complicated one.
I believe this style is called minimalism, the biggest exponents being Hemingway and Raymond Carver.
That being said you can vary your prose and make it more captivating in the following ways:
Start the sentence with a verb/action (e.g. Picking up his pack, Tim started moving again).
Use metaphors/similes (e.g. The words had continued to haunt Tim all these years, like ghosts lurking in the shadows).
Vary sentence length (e.g. Tim remembered the day he had to say goodbye to Cathy. He did not really have a choice; he had to let go of Cathy. She had no future with him.
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