: Best way to convey an immediate change of scenery Okay, bear with me. Think of it like this: My character is stuck in an situation whereby every time he sleeps, he wakes up at a different
Okay, bear with me. Think of it like this: My character is stuck in an situation whereby every time he sleeps, he wakes up at a different time (as in the past/future, not 8:00am), in a different environment.
He may close his eyes and open them in a future where human civilisation is no more, then sleep once more and open his eyes when dinosaurs are roaming the earth.
I don't immediately want to give away where he is or what time to the reader, because I want the reader to feel as lost as the character, but I do want my writing to reflect from the offset that he's now in a different place.
How can I do that without giving away crucial points about the environment itself?
Is this something I could to subtly through adjusting my pacing/writing style in addition to differently structured/worded descriptions?
More posts by @Smith147
: When it's forgivable to use "suddenly" and "all of a sudden?" Unless the answer is never, when is it excusable to use those two? I think someone told me it was a sin for a writer to use
: Should I italicise when the protagonist quote other character's words? For example in a story I'm writing a character says the following: “Be careful,†An-Mei said, ignoring my question.
3 Comments
Sorted by latest first Latest Oldest Best
The waking trigger could be different each time. Present: annoying alarm clock buzz. Past: Cuckoo clock chiming. Way Past: Blacksmith's anvil. WayWay Past: Giant dragonfly buzzing. Future: Talking robot.
Ceiling.
It's amazing how much and how little one can tell about their environment from observing the little piece of ceiling above their head. It's the first thing you see as you open your eyes (while sleeping on your back), and combining with Dale's answer, will give a clear and obvious sense of difference: while you can hear birds that weren't there, or your roommate started working on a soundtrack for a movie, it's damn hard to replace your apartment roof with a canopy of giant ferns and horsetails, or a dome with view on ocean from below. Additionally, after waking up your eyes focus slowly, and your brain goes up to speed slowly too, so you may skimp on detail or expand them (mentioning glaze on eyes and haze in mind) as you see fit, to differentiate between just "different" and describing what place that actually is.
Get down inside the character's head and focus on sensory details.
Write what the character sees, hears, smells, feels, tastes.
Write what he thinks about those sensory details. Pay particular attention to any details that the character has an opinion about.
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.