: Is it OK to invent as I write, or should I plan the entire story first? I have read Harry Potter and am a big fan of J.K. Rowling's writing and I had always had this urge to blog and

Vote Up Vote Down

There is absolutely nothing wrong with writing a story this way. I personally believe the end-product of this method has potential to be more engaging than its counterpart. You are basing the content of your writing entirely upon inspiration rather than finding a means to an end. You will, however, need to do a fair amount more revising.

(0)

Vote Up Vote Down

In my experience it goes both ways.

Either you start with an outline and write chapters and scenes from it, or once you've written your first draft "by the seat of your pants" you might end up creating what looks pretty much like an outline, or a scene list, just to get a grip of the often chaotic mass of text in the first draft. (This is at least how it works for me when I do it "by the seats of my pants").

You should probably refrain from submitting/publishing anything until you've rewritten the text in several drafts and know how things begin, tie together in the middle, and end. If you want to write at the top of your capacity several rewrites and lots of figuring things out and getting things to fit together is a must.

Nobody writes a first draft and gets it published, not even your favourite author :D

I sense in your question you might want to publish the text on a blog? You might copy the approach of TV shows and write episodes. However I have no experience with that kind of writing, but I am guessing they pretty much know the general details of every episode of the season before they air anything.

However, going with an outline first or not... try one approach. If you don't like the result, try another.

You could also finish a chapter at a time, polish it until it shines and then go on to the next. It's an approach between "seats of the pants" and outlining. Just like "seats of the pants", it might end in a big nothing.

You might also look into another form of outlining called "The Snowflake Method".

Finally, remember. It's all about creating the final manuscript... what method you use to get there is in fact irrelevant... Once you've written a few scripts you'll create your own process, and it may be anything between "outlining" and "seats of the pants" or both or something completely different.

P.s. I am not a native English speaker, and I don't write in English, so read between any grammatical errors! :D.s.

(0)

Vote Up Vote Down

There's nothing wrong with writing off the cuff: trying to keep written conversation flowing nicely by a version of stream-of-consciousness i.e. if you type reasonably fast its almost like "recording" your own imagination-dialogue. Done well it makes for excellent material - well-paced and "natural" on read-back.

The rub comes when you've finished first splurge: editing, distilling your material, layering in the 'bigger picture' content, quality and all the while maintaining that original immersive flow. It's a technique worth practising and one can do it anywhere, even eavesdropping on the subway. Soon enough even the narrative embellishments/description start including themselves in the 'stream'...

(0)

Vote Up Vote Down

This fits firmly into the category of "do what works for you."

I find that the more I plan ahead, the less likely I'm going to reach my destination. I work best when I have an open story ahead, and my world and its characters are allowed to grow in their own ways. This has the added benefit of allowing me to be surprised a bit by my own writing.

However, writing without a plan does have some issues that need to be addressed.

Inconsistencies and contradictions are easier to come by. Enjoying creative freedom is no excuse for sloppy writing. It is important to keep combing through what has been written to make sure there is continuity with is currently in your head. It may be necessary to create an outline after the fact to keep track of what has happened so far.
New ideas, characters and settings that pop in to your story need to make sense. Some things cannot be just added in at the point where you are writing, it will often be necessary to go back and introduce plot points earlier in the story so that they will make sense.
Be prepared to crash and burn. It is easy for a story to get lost. You may very well get to a point where you have no idea where to go next. I have no good advice for that other than don't lose hope.

(0)

Vote Up Vote Down

It is bad to write with no plan whatsoever. Your story will meander too much. It might be an interesting trip, but you'll get lost and go nowhere. At the absolute minimum, you need an ending toward which you are working (according to every professional writer I've ever seen/read interviewed). [edit: But see discussion in comments below.] Preferably, you should also have "way points," which are mini end points -- rest stops on your journey. That means you need at least a very rough outline of your story arc. After that, feel free to explore the "scenic countryside" of your story.

(0)

Vote Up Vote Down

I decide what should be written next only when I am writing that.

This called being a "pants writer" or a "pantser," meaning that you write by the seat of your pants. It's completely valid as a workflow, IF you are then willing to go back to the beginning when you're finished and edit with a firm, even harsh hand.

Just because it spews out of you doesn't mean the plot will work, the characters will be intriguing, or all the questions will be answered. So you will have to go back and tweak, fix, rewrite, and possibly unravel chunks of the story.

On the other hand, you can't edit a blank page. If you pants the entire thing, you will have a book to wrangle into shape.

I say go for it. Write what comes out, write to the end, and then go back and fix it afterward. Just remember that for a pantser, the editing and rewriting are part of your first draft process, not optional passes.

(0)

Vote Up Vote Down

A common practice is to envision a scene and then write the story towards that scene.

Quentin tarantino Thought up a scene where 3 men with 2 pistols each were pointing their handguns at each other in a mexican standoff. He didn't know who any of them were or what quarrel they had, but that was what he started with to make his story.

To answer your question about JK Rowling.
I'm pretty sure that she came up with the idea of the deathly hollows around the making
of the last book.

(0)